Edward Durell Stone designed the original structure in 1956, and the building's mid-century credentials remain the most legible thing about Hotel Valley Ho — from the cantilevered balconies and flat roofline visible against Camelback Mountain, to the mosaic-tiled facade panels that give the six-story tower its characteristic pop of terracotta, amber, and teal. Stone, who would later design the Kennedy Center and the original Museum of Modern Art expansion, brought the same confident modernism to Scottsdale that he was applying to civic buildings across the country, and the result carries the atmosphere of Rat Pack-era Arizona at its most optimistic. The property closed in the 1990s and sat dormant before a substantial restoration and expansion reopened it in 2005 with 241 rooms, recovering the original structure while adding new guest wings that defer, mostly successfully, to Stone's massing. Inside, the interiors work through a layered mid-century vocabulary that stops short of pastiche. Guest rooms expose board-formed concrete ceilings — visible in the images — and pair them with tufted platform beds, sunburst mirror wall treatments, and deep-pile charcoal carpet, the whole palette running cool gray and slate blue against warm walnut millwork. The lounge spaces pull more theatrical: stacked brick columns, walnut room dividers with elongated oval cutouts in the manner of 1960s decorative screens, and turquoise candle votives scattered across low tables lit from above by café-string lighting. At the pool, wide-brimmed palms and brightly cushioned chaise lounges complete a tableau that Stone would likely have recognized.

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