At the intersection of Wilshire Boulevard and Rodeo Drive, where Beverly Hills announces itself most emphatically, a ten-storey Italian Renaissance building designed by Walker & Eisen in 1928 has spent nearly a century functioning as the architectural anchor of one of America's most mythologized streets. The Beverly Wilshire, A Four Seasons Hotel, expanded significantly in 1971 with the addition of the Beverly Wing — a second tower connected by a motor court that became as famous as the building itself, not least because it doubled as the backdrop for Pretty Woman. The 395-room property carries that cultural weight without leaning on it, which is the more difficult achievement. A recent renovation refreshed the guest rooms in two distinct registers: one palette running to warm taupe and greige, with linen-upholstered headboards, sculptural bench footboards with brass detailing, and abstract botanical photography; another cooler treatment working in soft slate blue, curved sofas, and grasscloth wallcovering that pulls the California sky indoors. The bar — low-lit, dark-paneled, furnished in deep crimson velvet club chairs and tufted settees arranged around black tables — carries the atmosphere of a private members' room rather than a hotel lounge. The main restaurant space moves in the opposite direction entirely, flooded through skylights, its pale oak millwork and curved banquettes giving the room a sun-bleached California brightness that sits in productive contrast to the lobby's Beaux-Arts grandeur outside its doors.

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