Built in 1922 as the Los Angeles headquarters of the Bank of Italy — Amadeo Giannini's populist financial institution that would become Bank of America — the Giannini Building carried civic ambition in every stone. A century later, Hotel Per La breathed new life into the 12-story neoclassical structure, bringing 241 rooms and an Italian-Californian design identity that feels less like reinvention than fulfillment of the building's original character. The restoration of the ornate lobby ceiling, with its gilded coffers and deep blue medallions, remains the property's most arresting gesture: a double-height Italianate room that interior designer Jaqui Seerman has furnished with slipcovered sofas, marble-topped tables, and tropical flower arrangements that soften the grandeur without diminishing it. The guest rooms, shaped by Jacques Garcia, carry a more intimate register — sage-green walls, dark leather arched headboards with brass globe sconces, gallery-style photograph arrangements, and freestanding soaking tubs positioned beside windows as if bathing deserved the same quality of light as reading. Overdyed red rugs and embroidered settees introduce the warmth of a well-traveled apartment rather than a hotel room. Up on the rooftop, the shift is cinematic: terracotta brick pavers, banana palms, and a carved stone lion mask spouting into the pool frame downtown Los Angeles towers in the distance — a scene that manages to feel simultaneously ancient Mediterranean and entirely, unmistakably Californian.

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