Pierre-Yves Rochon's decision to import the DNA of a Parisian grand hotel onto the corner of Wilshire and Santa Monica Boulevards was either audacious or inevitable, depending on your appetite for Beverly Hills mythmaking. The Waldorf Astoria Beverly Hills, which opened in 2017 across from the older and earthier Beverly Hilton, rises twelve floors in a limestone-clad tower designed by Gensler — its deep-set balconies, planted with cascading greenery, softening what might otherwise register as corporate modernism into something closer to a residential tower on the Avenue Montaigne. The 170-room property was developed by Alagem Capital at a cost reportedly exceeding $200 million, and Rochon's interiors repay that investment in cream-lacquered paneling, caramel leather headboards with scalloped profiles, brass-legged nightstands in two-tone walnut and white lacquer, and geometric carpet in charcoal and ivory — a palette that pulls from mid-century Hollywood glamour without tipping into period pastiche. The rooftop carries a different register entirely. A mosaic-tiled bar clad in deep emerald green anchors the Bamford Wellness Spa level, where velvet lounge chairs in graduated jade tones face a horizon stretching toward downtown Los Angeles. One floor below, the pool deck deploys blush and mint cushions against white stone and wicker furniture — candy-colored and deliberately Californian, the kind of unselfconscious brightness that Rochon's European sensibility elsewhere keeps carefully in check.

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