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Colony Palms Hotel

Palm Springs, California • The Movie Colony • SPLURGE

avg. $461 / night

Includes $24 / night in cash back

Cash back is redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out

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Cash back

5% cash back on all completed stays (redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out)

Credit card points

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Hotel loyalty points

Points accrual and status eligibility with major hotel loyalty programs: Marriott Bonvoy, Hilton Honors, World of Hyatt, and others

Free breakfast

Breakfast-included rate options available

Room upgrades

Complimentary room upgrades (subject to property availability)

Extend your stay

Early check-in and late check-out (subject to property availability)

Location

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At a glance

A 1936 Spanish Colonial compound in Palm Springs' Movie Colony, reimagined with 1940s-inflected interiors and mountain views.

Best for: Architecture enthusiasts and mid-century design collectors

Highlights:

  • 1936 Spanish Colonial Revival compound with original stucco and terracotta
  • Interiors by Ike Kligman: forest-green tufted headboards, cane furniture, fluted lacquer
  • Pool with striped awnings overlooking San Jacinto Mountains
Golden-age-Hollywoodchromatic

PB hotel design editorial

Prohibition money built the original structure on North Indian Canyon Drive in 1936 — a Spanish Colonial Revival compound reportedly financed by a Los Angeles mobster, its stucco walls and terracotta roof tiles designed to project respectable Californian ease while serving considerably less respectable purposes. Colony Palms Hotel takes its name from the surrounding Movie Colony neighborhood, where Hollywood's golden-age establishment retreated from scrutiny, and that layered history — glamour, discretion, mild transgression — runs through its recent reimagining as visibly as the bougainvillea climbs its courtyard arches. The renovation brought the interiors into sharp, committed conversation with the property's era without tipping into pastiche. The lobby sets the register immediately: a trompe-l'oeil diamond-pattern marble floor in green, black, and white anchors a room furnished with sheepskin-draped tubular steel chairs and mint velvet petal-back sofas, a dark wood reception desk trimmed in brass rising against a backdrop of fluted green lacquer. Guest rooms carry the chromatic commitment further — forest-green channel-tufted headboards against botanical or geometric wallpapers, olive velvet ottomans, cane-framed side tables, and Roman blinds in coordinating patterns that suggest a well-traveled 1940s collector rather than a design-hotel brand exercise. At the pool, green-and-white striped awnings shade cane-and-lacquer dining chairs beneath a clear view of the San Jacinto Mountains, the whole scene closer to a Slim Aarons photograph than anything conceived after 2000.

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