Indigo was never just a color choice at Holiday House Palm Springs — it was a declaration. When designer Waldo Fernandez oversaw the renovation of this 1951 mid-century motor court property in Palm Springs' Historic Tennis Club neighborhood, he committed to a palette of cobalt and white with the conviction of someone who understood that restraint in a desert resort can read as timidity. The two-story white stucco structure, with its flat roof, steel-railed exterior staircase, and ribbon windows, carries the modest geometry of postwar California motel architecture exactly as built — the intervention is entirely in how the spaces have been dressed. Inside, the lobby lounge sets the tone with cobalt-lacquered concrete floors, wicker armchairs upholstered in blue-and-white botanical prints, and a mid-century multi-arm brass floor lamp anchoring one corner beneath an urchin-style burst pendant. Guest rooms layer block-printed indigo bedspreads over cane-headboard beds against boldly patterned feature wallpaper — a graphic sunburst motif that stops just short of maximalist — while suites furnish their living areas with deep-navy sofas, oval marble-topped coffee tables on walnut stretcher bases, and abstract California art in warm ochre and terracotta. The kidney-shaped pool, ringed with vintage-style aluminum loungers beneath navy market umbrellas, frames the San Jacinto Mountains with the casual confidence of a property that knows its setting does most of the work.

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