Palm Springs had never seen a high-rise hotel quite like this one when the Kimpton Rowan arrived in 2017 — a thirteen-storey tower designed by Culver City-based architecture firm Patel Architecture rising above the low-slung midcentury fabric of Downtown, its facade articulated with a custom concrete breeze-block screen that glows amber at dusk like a lantern set against the San Jacinto Mountains. The address at 100 West Tahquitz Canyon Way placed it at the dead centre of the city's revival, and the building's vertical ambition was a deliberate provocation in a desert town that had spent decades celebrating the horizontal. Inside, the 153 rooms carry exposed board-formed concrete ceilings and polished concrete columns alongside warm oak millwork and headboards upholstered in a graphic art deco-inflected pattern in indigo and white — a palette that threads through the patterned rugs and layered drapes without tipping into pastiche. The marble-topped nightstands and bronze-based ceramic lamps visible in the guest rooms bring a considered residential quality to what could easily have felt corporate. At the bar, a cantilevered steel shelving system suspends above a stone-clad counter while floor-to-ceiling glazing frames the mountain ridgeline, the desert landscape functioning as a permanent backdrop. The pool terrace, set on an elevated deck with teak loungers cushioned in ikat-adjacent printed fabric, turns the whole of the Coachella Valley into a foreground.

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