At 45 stories, the glass and terracotta-clad tower that houses Four Seasons Denver was, when it opened in 2010, the tallest building constructed in the city in nearly three decades — a marker of downtown's ambitions as much as of the brand's. Architect Ziegler Cooper designed the mixed-use high-rise to carry both hotel and private residences, the slender shaft stepping back toward a luminous crown that reads as a distinctive accent on the Denver skyline, the Rocky Mountains visible beyond in every westward view. The interiors, led by Cheryl Rowley Design, work a cool metropolitan palette that takes its cues from the altitude and the light rather than from Western regional clichés. Guest rooms are finished in layered greys — upholstered fabric headboards, tufted leather benches, textured carpet underfoot — with floor-to-ceiling glass framing panoramas that stretch across the grid of the city to the Front Range. In the suites, horizontal ledgestone surrounds the fireplace surround in tawny Colorado tones, the one concession to local geology in an otherwise urbane scheme. The lobby bar and restaurant unfold across large-format stone floors, copper-patinated shelving units and geometric pendant lighting overhead, teal velvet lounge chairs introducing color into a composition that otherwise keeps its palette firmly anchored in bronze, cream, and charcoal. The seventh-floor pool terrace, planted with mature trees and warmed by Cor-Ten steel fire pits, offers an unexpected garden suspended above the downtown street grid.

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