A 1912 Beaux-Arts church on Columbia Road in Adams Morgan — its limestone colonnade, pediment, and oculus window belonging more to civic Washington than to the neighborhood's bohemian register — was converted into The LINE DC when it opened in 2017, with Gin Design Group handling the adaptive reuse of a structure that had served as the All Souls Unitarian Church for over a century. The nave became the hotel's central atrium and restaurant space, its barrel-vaulted ceiling and white plasterwork arches left intact overhead while a large sculptural brass installation — angular, deliberately industrial — was suspended in the void where a chandelier or organ pipe might once have hung. Curved brass-railed mezzanines now wrap the interior at the gallery level, a zigzag graphic frieze in terracotta, ochre, and black punctuating the balcony fascia below. The 220 guestrooms, distributed across the original church structure and an adjoining building, carry a considered eclecticism: brass-framed iron beds draped in mudcloth-patterned throws in saffron and indigo, herringbone oak floors, pendant lights suspended on long black cords, and dark leather chesterfield benches at the foot of the bed. Dark-stained writing desks and chrome-legged lounge chairs complete a palette that draws from mid-century American furniture without quoting it directly. The bar, warmly lit by a globe-pendant brass rail above a burnished metal counter, anchors the hotel's more intimate spaces with the atmosphere of a private club that has been convincingly unlocked.

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