Tucked along Fort Lauderdale's Intracoastal Waterway behind a wrought-iron gate and a dense screen of royal palms, the building that became The Pillars Hotel & Club was originally a private Caribbean colonial-style residence — and it has never quite lost that character. The two-storey facade, painted a warm cream with white Doric columns and plantation shutters flanking tall grid-paned windows, carries the atmosphere of an estate rather than a hospitality property. A turquoise front door, the kind of detail that belongs to a well-loved personal house, anchors the entrance with casual confidence. The interiors follow through on that residential promise: guest rooms finished in pale grey-white panelling with applied mouldings, louvered shutters filtering dappled garden light, geometric patterned carpets in slate and ivory, and understated furnishings — upholstered bench seats, linen headboards, framed ink drawings of sea turtles — that suggest a quietly curated private collection rather than procurement from a hotel catalogue. Beyond the pool courtyard, where striped chaise lounges sit beneath a canopy of Sabal palms, the dock terrace extends directly over the waterway: woven rattan dining chairs, crisp white linen, and copper-toned candleholders arranged against a horizon of masts and sunset water. With just 23 rooms, the Pillars operates at a scale where the distinction between guest and houseguest becomes genuinely blurred.

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