Reinventing a mid-century Miami Beach landmark without erasing it was the central challenge Ian Schrager set himself when he converted the former Seville Hotel — a 1955 Morris Lapidus-era tower on Collins Avenue — into the Miami Beach EDITION, which opened in 2014. The ten-storey white concrete facade, with its repeating gridded balcony screens and horizontal banding visible in the images, carries the clean Mediterranean modernism of its original construction, updated rather than overwritten. Schrager worked with architect John Pawson, whose minimalist sensibility shapes every public threshold, and with interior designer Roman and Williams, who calibrated the communal spaces between restraint and warmth. The 294 guest rooms carry that calibration into the private sphere — large-format white porcelain tile floors, oak-paneled headboard walls, platform beds in pale timber, and sheer linen curtains that dissolve the boundary between room and balcony. Floor-to-ceiling glazing in the bungalow-level suites frames a canopy of coconut palms as if the garden were part of the furniture arrangement. Outside, the pool terrace is planted with mature tropical specimens and climbing bougainvillea that soften the building's white geometry into something closer to a private estate than a resort. After dark, the outdoor dining terrace — cedar-slatted overhead structure hung with suspended planters and strung with filament lights — shifts the atmosphere entirely, trading the bleached daytime palette for something amber-lit and dense with foliage.

No travel notes provided yet.

No description provided yet.