Two buildings sharing a single address tell the whole story of The Setai Miami Beach: a nine-story Art Deco tower dating to 1936, designed by Henry Hohauser and listed on the National Register of Historic Places, fused with a 40-story contemporary glass tower that rises sharply behind it. The pairing could easily have felt discordant, but the design team — led by Denniston International, the Kuala Lumpur-based studio behind many of Asia's most refined luxury hotels — used the tension productively, threading an Asian aesthetic through both structures with such consistency that the two read as a coherent whole. Denniston's interiors draw heavily on Cambodian and Indonesian material culture: sandstone sculptures stand among the reflecting pools and royal palms of the outdoor courtyard, teak pergolas filter the evening light above wicker dining chairs, and the atmosphere at dusk carries more of Bali than South Beach. Guest rooms in the tower are finished in dark-stained wood, zebrawood flooring, and ebonized four-poster beds set against floor-to-ceiling glass that frames sweeping views across the Art Deco district and Biscayne Bay. The pool terrace — three temperature-graded pools aligned along a formal axis, bordered by clipped hedges and teak loungers — brings a precision to outdoor living that most Miami Beach properties never quite achieve. The Setai's 130 suites occupy some of the highest floors in the tower, where the horizon unspools in every direction.

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