That particular shade of coral pink — applied across a six-storey neoclassical facade on Palm Beach's Hammon Avenue since 1947 — has become so synonymous with a certain vision of Florida glamour that it functions less as a paint color than as a brand identity. The Colony Hotel was designed by architect Rosario Candela, the New York residential specialist whose mastery of prewar apartment planning gave him an instinctive feel for the kind of discreet luxury Palm Beach's winter colony demanded. The building's white-trimmed arched porte-cochère and symmetrical window bays carry the composed confidence of his New York work translated into a subtropical register, softened by bougainvillea and flanked by royal palms. The most recent interiors, overseen by Sarah Wetenhall following her family's acquisition of the property, channel the maximalist Florida Regency tradition with genuine conviction rather than nostalgic pastiche. Guest rooms arrive in either blush-and-gold or celadon-green colorways — scallop-edged headboards upholstered in geometric prints, rattan armchairs, bamboo-finish side tables, and walls saturated to full intensity — a palette that feels closer to Lilly Pulitzer's printmaking sensibility than to cautious resort neutrals. The pool terrace, lined with white iron chaises beneath scallop-fringed umbrellas, sits behind clipped hedgerows with the composed formality of a private estate. The outdoor dining room, its ceiling entirely canopied in trailing greenery hung with iron candelabra chandeliers, transforms dinner into something closer to an enchanted garden than a hotel restaurant.

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