Jeanne Gang's faceted glass tower rising from Lakeshore East — its angled curtain wall planes catching Lake Michigan light differently at every hour — gave the St. Regis Chicago one of the most architecturally ambitious envelopes of any American hotel opened in the last decade. Studio Gang completed the 101-storey skyscraper in 2020, and the diagonal structural glazing that defines its exterior profile is just as legible from within the upper-floor suites, where floor-to-ceiling windows tilt outward at oblique angles to frame Navy Pier and the lakefront in a geometry that no conventional rectilinear tower could produce. The interiors, by the New York-based firm ForrestPerkins, balance that structural drama with a warm material register — smoked oak millwork, bouclé lounge chairs in oatmeal tones, brass pendant lighting with a mid-century candlestick profile — that keeps the 192 guest rooms and suites from feeling overwhelmed by their own views. The restaurant spaces take a different tack entirely, deploying deep forest-green velvet tub chairs, herringbone parquet flooring, tall bronze-framed mirror panels, and industrial chandelier rings to conjure a mood closer to a grand European brasserie than a glass tower dining room. Up on the amenity floors, the indoor lap pool is lined with striated travertine pilasters and blue mosaic tiles, the lake and the Ferris wheel of Navy Pier visible through full-height glazing on two sides — a reminder that Gang's building was always as much about what it frames as what it contains.

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