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Inn at Perry Cabin

Chesapeake Bay, Maryland • St. Michaels • OVER THE TOP

avg. $695 / night

Includes $37 / night in cash back

Cash back is redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out

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Cash back

5% cash back on all completed stays (redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out)

Credit card points

Credit and debit card charges are processed directly by the hotel (i.e. not PressBeyond), meaning that any travel-specific credit card points or incentives that you normally get as a cardholder for direct hotel bookings are preserved

Hotel loyalty points

Points accrual and status eligibility with major hotel loyalty programs: Marriott Bonvoy, Hilton Honors, World of Hyatt, and others

Free breakfast

Breakfast-included rate options available

Room upgrades

Complimentary room upgrades (subject to property availability)

Extend your stay

Early check-in and late check-out (subject to property availability)

Part of Preferred Hotels & Resorts

Location

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At a glance

An 1812 Chesapeake Bay manor with Laura Ashley interiors, waterfront terraces, and views of working sailboats.

Best for: Collectors and aesthetes seeking Chesapeake Bay heritage

Highlights:

  • 1812 manor house named after Commodore Perry
  • Laura Ashley interiors with four-poster beds and plantation shutters
  • Waterfront terrace overlooking Miles River and working sailboats
Colonial-refinedriverside

PB hotel design editorial

White clapboard buildings spread along the Miles River's edge in St. Michaels, Maryland, where the Inn at Perry Cabin has shaped Chesapeake Bay hospitality since the early nineteenth century — the original manor house built by a naval officer who served under Commodore Oliver Hazard Perry after the War of 1812, the name a tribute to his commander. Sir Bernard Ashley acquired the property in 1989 and transformed it under the Laura Ashley aesthetic, and subsequent stewardship by Orient-Express and then Belmond deepened both the physical plant and the culinary identity, bringing the room count to 78 across the low-slung Colonial Revival buildings that step gently down toward the water. The interiors, refreshed in recent years, work in a palette of pale grey and warm white — dark-stained four-poster beds with turned spindle details, plantation shutters filtering tidal light into bay-window alcoves furnished with wicker armchairs, sheer linen curtains pooling softly on carpeted floors. Abstract ink-wash diptychs hung above headboards are the one concession to contemporary sensibility in rooms that otherwise carry the composed atmosphere of a well-inherited house. Outside, a brick terrace furnished with teak dining chairs and white painted planters extends from French doors along the main building's garden facade, while Adirondack chairs face the river from a cropped lawn where a white gazebo frames views of working sailboats moving through the last of the evening light.

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