Carved from the upper floors of a dark glass tower at the heart of CityCenter — MGM Resorts' $8.5 billion mixed-use development that reshaped the mid-Strip when it opened in 2009 — the Waldorf Astoria Las Vegas was designed by Helmut Jahn, whose characteristic curtain-wall geometry gives the building its brooding, faceted presence against the Nevada sky. Unlike every other major hotel on the Strip, there is no casino on the premises, a deliberate absence that set the property apart from the moment it opened as the Mandarin Oriental before rebranding under the Waldorf flag in 2018. The 392 rooms and suites, designed by HBA (Hirsch Bedner Associates), pursue a restrained glamour that suits the non-gaming positioning — headboards clad in sculptural metallic tile panels, lucite benches at the foot of beds, curved fringed sofas positioned to frame Strip views through floor-to-ceiling glass. The palette runs to warm taupe and dove grey, punctuated by macassar ebony millwork and polished chrome. On the 23rd floor, the Sky Lobby bar commands a panoramic sweep of the Strip, its interior finished in dark-stained timber and red leather seating under a ceiling articulated with recessed linear lighting — a composition that carries more of a private members' club atmosphere than the extroverted energy typical of Las Vegas. The pool deck, set at podium level with Aria and the Cosmopolitan visible beyond the palms, offers the rare sensation of being both within and removed from the spectacle below.

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