Two curved towers sheathed in bronze-tinted glass rise from a landscape of waterfalls, mature pines, and flowering bougainvillea on the northern end of the Las Vegas Strip — a deliberate inversion of everything the Strip had represented before Steve Wynn commissioned architect DeRuyter Butler to design what became Wynn Las Vegas in 2005. The $2.7 billion property, followed by its companion tower Encore in 2008, together delivering over 4,700 rooms across 45 and 48 floors respectively, set a new register for the American casino resort by orienting the building away from the street rather than toward it, wrapping the exterior in curated gardens that feel closer to a Kyoto inn than a Nevada gaming floor. The interiors, largely directed by Roger Thomas of Wynn Design and Development, move between registers with considerable range. Guest rooms in the original tower pair crimson accent walls and gilded mirror frames with cream upholstery and floor-to-ceiling Strip views; rooms facing the golf course side run warmer, with honey-toned wood paneling, bas-relief wall art, and sienna-and-sand textiles that echo the desert mountains beyond. The pool terraces deploy striped canvas cabanas in turquoise and amber, their mediterranean formality landing somewhere between Riviera beach club and English garden party. Most recently, the Overlook Lounge has been transformed into a theatrical space of gilded bronze palm-tree light fixtures, swirling Art Deco carpets, and a lacquered concert grand — glamour calibrated to feel earned rather than performed.

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