At 252 Schermerhorn Street in Downtown Brooklyn, a reinforced concrete frame that once housed a municipal building provided Roman and Williams with one of their most sympathetic raw materials — board-formed columns, exposed waffle-slab ceilings, and deep-set industrial windows that the studio left almost entirely untouched when Ace Hotel Brooklyn opened in 2021. The entry sequence sets the tone immediately: a forest of amber geometric pendants suspended through a double-height atrium alongside a black steel stair with orange-painted stringers, the whole composition hovering between a 1970s Japanese jazz bar and a Lower East Side loft that someone furnished very carefully over many years. Inside the 287 rooms, that sensibility becomes intimate rather than theatrical. Warm oak case goods with the proportions of midcentury Scandinavian workshop furniture anchor each space, striped textile armchairs and green leather sofas pulling against exposed concrete ceilings in a combination that feels genuinely residential. The lobby bar, framed between massive concrete piers and lined in warm-toned timber paneling, draws the eye toward a circular oculus window above the backbar — a detail that gives the room the atmosphere of a 1960s civic interior reborn as a neighborhood gathering place. In the restaurant, a grid of hand-glazed tiles in aquamarine, amber, and cream serves as a room divider, its scale and craft placing it closer to postwar Italian trattorias than anything conventionally hotel-like.

No travel notes provided yet.

No description provided yet.