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Andaz 5th Avenue

New York City, New York • Midtown • SPLURGE

avg. $548 / night

Includes $29 / night in cash back

Cash back is redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out

World of Hyatt property

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5% cash back on all completed stays (redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out)

Credit card points

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Hotel loyalty points

Points accrual and status eligibility with major hotel loyalty programs: Marriott Bonvoy, Hilton Honors, World of Hyatt, and others

Free breakfast

Breakfast-included rate options available

Room upgrades

Complimentary room upgrades (subject to property availability)

Extend your stay

Early check-in and late check-out (subject to property availability)

Location

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At a glance

Tony Chi–designed hotel facing Bryant Park with sculptural lobby and interiors that dialogue with Beaux-Arts Midtown.

Best for: Architecture enthusiasts and art collectors

Highlights:

  • Tony Chi interiors with faceted sculptural lobby installation
  • Limestone facade echoes Beaux-Arts Public Library across Bryant Park
  • Floor-to-ceiling windows overlooking Bryant Park and Fifth Avenue
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PB hotel design editorial

Facing Bryant Park at the corner of Fifth Avenue and 41st Street, where Midtown's institutional granite gives way to the park's canopy of London planes, the Andaz 5th Avenue was carved from a purpose-built tower designed by Buttrick White & Burtis and opened in 2010. The facade's limestone cladding and bronze-framed storefront windows — visible in the images as a double-height grid of darkened steel and warm glass — place the building in deliberate conversation with the Beaux-Arts bulk of the New York Public Library directly opposite, while the gilded botanical panel above the entrance door signals something more decorative within. Tony Chi designed the interiors across the hotel's 184 rooms and 16 floors, and his signature runs through every register of the public spaces: a lobby anchored by a faceted white sculptural form rising from the check-in desk, dark basalt-format floor tiles, and a field of cylindrical ceiling lights that give the arrival sequence the atmosphere of a contemporary art installation rather than a traditional hotel reception. The guest rooms carry the same restrained palette — powder-blue walls, low-platform beds with near-black upholstered frames, warm oak desks and nightstands — kept deliberately calm against the visual energy of Midtown beyond the floor-to-ceiling windows. Downstairs, the bar moves in a contrasting direction entirely: exposed brick, wide-plank oak floors, pendant drop lights above a long mahogany counter, and turned-leg furniture that draws more from Lower East Side saloon than Midtown corporate.

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