Few downtown Manhattan hotels manage the tonal gap between a neighborhood defined by cast-iron loft buildings and the ambitions of a new-build tower, but ModernHaus SoHo makes a credible attempt at it. The building, a slim concrete-framed structure rising above Spring Street, was designed by Gwathmey Siegel — the firm whose brutalist-inflected modernism always carried a particular New York confidence — and its street-level entrance does its best to meet the neighborhood on its own terms: honed white brick cladding, warm ipe timber detailing, and clipped topiary in tall concrete planters soften what could easily have announced itself as an intrusion. Inside, the 114 rooms are arranged across multiple floors and finished with dark-stained oak flooring, upholstered platform beds, and floating walnut nightstands — a material register that hovers between Scandinavian restraint and mid-century American warmth. The art program leans toward bold primary-colored works reminiscent of Calder and Miró, framed above beds and catching the corner light that the generous window proportions encourage. Upstairs, the rooftop pool deck frames a wide Hudson River panorama toward Jersey City, its navy-cushioned loungers arranged on pale stone paving with the unhurried confidence of a property that knows the view does most of the work. The bar level, curved glass wrapped around a deep brown leather banquette, belongs to a different and more nocturnal register entirely.

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