Built in 1912 to serve the Jewish immigrant community flooding into the Lower East Side, the Jarmulowsky Bank Building was an act of architectural ambition — a twelve-story Beaux-Arts tower designed by William Lawrence Rouse and Lafayette A. Goldstone that announced, in limestone and ornamental carving, that this neighborhood had arrived. When Nine Orchard opened here in 2022, the restoration team worked directly from those original blueprints, and the results are visible in every coffered ceiling panel, every dentil cornice, and in the Swan Room's reinstated ornamental plasterwork soaring above a floor of pink Tennessee marble. The banking hall, now the hotel's bar and lounge, retains its double-height nave proportions, with a multi-globe chandelier descending through the room and the original arched windows casting light across marble and dark walnut millwork. Interior designers Reza Nouranian and Fernando Santangelo, collaborating with Ray Azoulay, brought a sensibility that refuses period pastiche. The 113 guest rooms layer warm oak floors with chromatic headboards — one in crimson fabric, another in embroidered textile suggesting Central Asian ikat — alongside tubular-steel chairs in the lineage of Marcel Breuer and olive velvet drapes that give the rooms a particular suspended quality, as though the building's institutional past and a more private, lived-in present have reached a quiet agreement. The clock on the facade still keeps time, and inside, so does everything else.

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