Burnham's vision of a skyscraper as pure civic gesture found an unlikely descendant in the 90-storey glass tower that Skidmore, Owings & Merrill completed on West 57th Street in 2014 — a building whose residential upper floors sit above the 210 rooms of Park Hyatt New York, the brand's first American flagship. The tower's dark-tinted curtain wall, visible in the entrance image as a taut grid of near-black glass and polished metal, carries a precision that few Midtown hotels attempt. Yabu Pushelberg handled the interiors, and their signature discipline — materials chosen for depth rather than drama — runs through every space: the lobby floor laid in richly veined brown-grey marble, walls clad in horizontal-grain travertine, mosaic-tiled pillars casting warm light across a lounge furnished with low velvet club chairs and tufted settees. Guest rooms continue this restrained material logic, their limestone floors and cognac leather armchairs framing floor-to-ceiling glazing that pulls Central Park into the room as the primary decorative gesture. Suites are divided by etched glass partitions with bronze detailing, the geometric patterning echoing the custom area rugs below. Most arresting is the 25th-floor indoor pool, its double-height volume wrapped in bookmatched grey-veined stone, suspended cube lanterns dropping from the ceiling in a cascading grid — a room that manages genuine calm against a backdrop of Midtown rooftops pressing close on every side.

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