Rising 46 floors above the corner of Spring and Varick Streets, the glass curtain wall tower that houses The Dominick presented its architects — Costas Kondylis and Partners — with an interesting challenge when it opened in 2012: how to make a contemporary skyscraper feel at home in SoHo, a neighborhood whose character is defined almost entirely by cast-iron loft buildings that top out at six stories. The answer, visible in the images, was to anchor the tower behind a low-rise podium clad in warm zinc panels and floor-to-ceiling glass, creating a street-level mass that defers to the surrounding masonry before the blue-glazed shaft climbs sharply above it. From the upper floors, corner windows frame the Manhattan skyline northward toward the Empire State Building and westward across the Hudson to New Jersey, the city spread below in a way that makes the building's height feel like a deliberate gift rather than an imposition. Inside, the interiors carry the atmosphere of a well-tailored New York apartment rather than a conventional hotel. The double-height lobby — visible overhead in one image — layers bronze-patinated columns, warm walnut-tone vertical fins, and travertine floors under pendant lighting, the seating arranged in loose residential groupings of chocolate leather club chairs and low-slung sofas on silk-blend rugs. Guestrooms continue the restrained palette: deep espresso leather headboards spanning the full wall width, sand-toned carpet, and sheer linen curtains that dissolve into the view. The rooftop pool terrace, framed against SoHo's landmarked Art Deco warehouse facades, gives the property its most distinctive outdoor moment.

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