Few addresses in New York carry the architectural authority of a McKim, Mead & White commission, and the landmarked 1907 Beaux-Arts mansion at the corner of Fifth Avenue and 28th Street announces itself accordingly — rusticated limestone, a grand arched entrance, and the kind of civic gravitas that once belonged exclusively to banks and government buildings. The Fifth Avenue Hotel, which arrived in 2023, is set within this original structure alongside a new 24-story glass tower by Perkins Eastman and PBDW Architects, the two buildings together producing 153 rooms and suites in the heart of NoMad. Where the exterior maintains its composed, classical bearing, Martin Brudnizki's interiors do something altogether more theatrical. The MBDS approach here draws deep on Gilded Age excess and global eclecticism — rooms arrive in saturated veridian greens and amber golds, furnished with rattan folding screens, antique Persian rugs, and star-shaped ceiling fixtures that catch the light like something between a 1970s Italian palazzo and a Wes Anderson fever dream. A restaurant dominated by full-grown ficus trees and tiered brass chandeliers projects a different kind of grandeur, one that is living and slightly unruly. The bar, clad in dark walnut paneling with crimson velvet sofas gathered around a marble fireplace, settles into something more conspiratorial. Threading through all of it are more than 700 works of art, antique and contemporary, which give the hotel the density and feeling of a private collection rather than a curated backdrop.

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