Straddling the High Line at West 13th Street — literally bridging the elevated park on two concrete piloti columns painted a saturated red — the building designed by Polshek Partnership Architects and completed in 2009 gave The Standard High Line one of the most legible structural conceits in contemporary New York hospitality. The 18-floor, 338-room tower was conceived as a kind of urban theater, its floor-to-ceiling glazing on the Hudson-facing elevations turning every room into both a viewing platform and, famously, a display case visible to passersby on the park below. Roman and Williams handled the interiors, threading warmth through the tower's cool modernist envelope with slatted teak wall cladding, oval pendant lights, and Arne Jacobsen-adjacent seating in cognac leather — all visible across the room images here, where the Hudson River and Jersey City skyline fill the glazed corners at sunset. The rooftop Le Bain and bar spaces push further into sensory overload, with parquet floors in a deep amber hardwood, chain-link metal ceiling panels, and arched timber-clad volumes that carry a downtown supper-club energy quite distinct from the restrained guest rooms below. At ground level, the Biergarten carved beneath the High Line's concrete structure commits fully to its premise — brick pavers, pine trestle tables, Cornilleau ping-pong, and yellow-shaded pendants hanging from exposed steel framework — a space that belongs as much to the neighborhood as to the hotel above it.

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