When Charles Colcord commissioned his namesake office tower in downtown Oklahoma City in 1910, he was building the tallest structure in the state — a ten-story Beaux-Arts block clad in cream-colored brick and terra cotta that announced the young city's ambitions with considerable force. That building, now operating as the Colcord Hotel, carries its century-old bones with evident pride: the ornamental cast-iron canopy visible at street level, with its coffered soffit and scrollwork frieze, remains one of the most architecturally composed hotel entrances in the American Southwest. The 108-room conversion brought the tower into hospitality use, preserving the facade's classical proportions while reworking the interiors to a palette that sits comfortably between period reverence and contemporary ease. Guest rooms are fitted with tall button-tufted leather headboards — some in charcoal, others in caramel diamond-quilted upholstery — against backgrounds of warm white and soft grey, the furnishings running to dark-stained wood nightstands with brass hardware and sheer linen drapery that softens the original windows. The ground-floor bar and restaurant spaces make their strongest design statement overhead: pressed-metal ceiling tiles painted a deep graphite run the full length of both rooms, playing against veined white marble bar surrounds, warm walnut millwork, and saddle-leather counter stools. Large-format artworks and ring pendant lighting complete a room that feels closer to a well-considered urban brasserie than a hotel dining annex.

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