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Castle Hill Inn

Newport, Rhode Island • Castle Hill • OVER THE TOP

avg. $1,073 / night

Includes $56 / night in cash back

Cash back is redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out

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Cash back

5% cash back on all completed stays (redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out)

Credit card points

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Hotel loyalty points

Points accrual and status eligibility with major hotel loyalty programs: Marriott Bonvoy, Hilton Honors, World of Hyatt, and others

Free breakfast

Breakfast-included rate options available

Room upgrades

Complimentary room upgrades (subject to property availability)

Extend your stay

Early check-in and late check-out (subject to property availability)

Part of Relais & Châteaux

Location

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At a glance

An 1874 Victorian naturalist's villa on a granite headland, with original mahogany interiors and harbor views.

Best for: Architecture enthusiasts and maritime history collectors

Highlights:

  • 1874 Victorian villa built by Harvard naturalist Alexander Agassiz
  • Original mahogany-paneled rooms with unbroken harbor views
  • Granite headland perch where bay meets Atlantic
Historic-maritimerefined

PB hotel design editorial

Perched on a granite headland where Narragansett Bay meets the Atlantic, the shingled Victorian villa at the tip of Castle Hill has commanded this particular stretch of Newport water since 1874, when the Harvard naturalist Alexander Agassiz built it as a private summer residence for marine research. Castle Hill Inn arrived later, with the property converted for hospitality in stages across the twentieth century, the original Agassiz house preserved alongside a scattering of cottages and a beach house distributed across the rocky, wind-shaped promontory. From the water, the massing — a round turret, broad verandas, asymmetrical rooflines softened by mature oaks — carries the atmosphere of a Gilded Age retreat that never quite became institutional. Inside, the rooms divide sharply between the original manor and the newer cottages, and the contrast is part of the point. The Agassiz rooms keep their dark mahogany paneling, bay windows framing unbroken harbor views, carved wooden headboards, and orientalist rugs — a Victorian seriousness that the warm-toned wall sconces and mantel clocks do nothing to soften. The cottage accommodations shift register entirely: white-painted shiplap walls, four-poster beds in cherry, wide-plank hardwood floors, and stacked-stone fireplaces give them the feeling of a well-edited New England beach house. The terrace restaurant, furnished with navy bistro chairs and overscale canvas umbrellas trimmed in cobalt, draws the eye past the stone retaining wall to the bay beyond, where sailboats cross the horizon at sunset.

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