Few American resort towns carry their Gilded Age inheritance as self-consciously as Newport, Rhode Island, which makes the choice to convert a stately 1909 Colonial Revival building on Mary Street into The Vanderbilt — part of the Auberge Resorts Collection — a quietly knowing one. The four-storey red brick facade, with its white-painted portico, dormered roofline, and symmetrical fenestration, carries the measured authority of a private men's club rather than a grand hotel, and that register runs deliberately through every design decision inside. Roman and Williams Guild, the New York studio behind the interiors, worked in a palette anchored to deep navy and aged teal, pulling the forty-three rooms into an atmosphere closer to a well-appointed Newport cottage than a conventional hotel. Four-poster beds in darkened walnut sit against grid-patterned wallcoverings in midnight blue, flanked by marble-topped nightstands and tortoiseshell ceramic lamps; built-in cabinetry in celadon sage keeps the hardware in brushed brass. The dining room pushes darker still — indigo lacquered panelling, scrolled mahogany restaurant chairs, a curved brass-railed bar, and mounted fauna lending the space a faintly theatrical hunting-lodge atmosphere. Against that, the conservatory room offers a full tonal reversal: white-painted brick, trailing Boston ferns suspended from the ceiling, black-and-white chequerboard floors, and green velvet banquettes opening onto the garden through walls of steel-framed glass.

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