At 67 State Street in Charleston's French Quarter, a four-storey building clad in pale blonde brick carries the massing of early twentieth-century commercial architecture while functioning as a purpose-built boutique hotel. The Spectator Hotel, which debuted in 2015 with 41 rooms across its four floors, was designed to feel like a grand private residence rather than a new construction — a challenge made more delicate by its position within one of America's most carefully preserved historic districts. The facade presents as confidently classical, its arched upper-floor windows trimmed with wrought-iron Juliet balconies and framed by pilastered limestone surrounds, sabal palms softening the street-level entry beneath a brass-lettered canopy. Interior designer Sara Sugarman shaped the common spaces around an early-to-mid twentieth-century sensibility that draws from Art Deco without strict period fidelity. The lobby places silver-velvet lounge chairs alongside bold black-and-white striped side tables and a brass-framed glass coffee table, the whole composition anchored by floor-to-ceiling navy curtains against near-black walls. The adjacent bar shifts registers entirely — dark-stained bookshelves packed with leather-bound volumes, tufted leather Chesterfield seating, a mounted white peacock, and an eclectic layering of striped, geometric, and patterned upholstery that gives the room the atmosphere of an eccentric collector's drawing room. Guest rooms, by contrast, settle into a calmer register: ebonized four-poster beds, tufted velvet headboards in sapphire blue, and damask-patterned carpeting in sage and grey.

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