Wedgewood-Houston was already Nashville's most interesting neighbourhood — former industrial blocks slowly claimed by galleries, fabricators, and food halls — when Soho House chose a converted early twentieth-century brick warehouse on the district's edge as the site for its first Tennessee outpost. The bones of that building are impossible to miss: exposed heavy timber columns, painted-out mechanical runs overhead, and the deep-set factory windows whose divided-light glazing now frames views of the surrounding rooftops. Against this structure, Soho House's in-house design team applied their familiar grammar of layered eclecticism, but with a distinctly Southern warmth — curved channelled sofas in dusty rose, onyx-capped table lamps, bobbin floor lamps, and carved travertine coffee tables arranged beneath globe pendant clusters that keep the common spaces feeling inhabited rather than curated. The 91 bedrooms carry that sensibility through a palette calibrated to the building's own amber and ochre light. Boucle headboards in arched forms, burnished bronze bed bases, and mustard velvet lounge chairs appear throughout, occasionally lifted by amber glass pendant chandeliers that throw the exposed brick walls into warm relief. Steel-framed interior glazing partitions divide sleeping areas from bathrooms with an industrial delicacy entirely consistent with the warehouse shell. At pool level, the industrial mood gives way to something more playful: sage-green daybeds beneath white fringed canopies, yellow gingham cushions, and cedar screening create an enclosure that manages the not inconsiderable trick of feeling summery inside a former factory yard.

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