At the corner of Granby Street in downtown Norfolk, a 1912 Beaux-Arts office tower that once served as the home of the Dickson Building was converted and extended to become the Glass Light Hotel & Gallery, part of Marriott's Autograph Collection, when it opened in 2021. The fourteen-story structure, its upper cornice lit against the Virginia evening sky, was transformed by the Norfolk-based firm Kahler Slater working with interior designers who threaded a contemporary art-hotel concept through the building's classical bones. The lobby addition — visible in the images as a double-height gallery space with polished terrazzo floors, glass-and-steel curtain walls, and a cantilevered oak staircase with glass balustrades — functions as much as a commercial art gallery as a hotel entrance, with rotating sculpture and large-format paintings displayed on white plinths and gallery-track lighting overhead. The 107 guestrooms carry a palette of warm ash slatted headboard panels, teal hand-blown glass pendants, dark-stained wide-plank oak floors, and cognac leather sofas — a combination that feels more residential than corporate, grounded by white monogrammed bedding with fine navy border detail. Downstairs, the restaurant bar counter arrives in black-veined stone over a base of chevron-inlaid copper and dark wood, flanked by tan leather club chairs and punctuated by large-scale figurative paintings and a hot-pink ceramic sculpture that keeps the mood from tipping into solemnity. It is a hotel that has committed, seriously, to art as architecture rather than decoration.

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