Best hotels in Dublin | A Curated Visual Guide to Top Stays

Welcome to PressBeyond, the ultimate curated visual guide for design-driven hotels! My name is Will Miller and these are my recommendations for the best boutique and luxury hotels in Dublin.

I am the founder of PressBeyond and I am an ultra-meticulous hotel curator who loves clean visuals. I have individually analyzed and tiered each hotel included in this guide based on a variety of criteria (architecture & design, location, brand & brand affiliation, existing reviews, and my own personal experiences), and importantly, I have hand-selected the leading imagery for each hotel to provide you with easily-digestible, yet detailed and complete, like-for-like, high-level visual profiles. I felt this summarization step was a critical missing piece across existing guides, blogs, and booking platforms. My aim is to make it easier for people to identify hotel environments that resonate with them, along with enabling them to visualize the types of social experiences that those environments help foster. My brain doesn't work when exposed to cluttered content, so my goal was to create the opposite.

Underneath this, we are also a full booking engine offering 5% Venmo cash back along with other exclusive perks. For all of you design-obsessed hotel enthusiasts out there, I hope this guide helps get you to where you see yourself!

An Overview of the Boutique & Luxury Hotel Landscape in Dublin

Georgian Dublin is a city built on repetition as a form of refinement — the same red-brick facades, the same fanlight doorways, the same iron railings, block after patient block around Merrion Square and St. Stephen's Green. The Merrion, assembled from four interconnected Georgian townhouses on Upper Merrion Street, understands this completely. Its interiors work with the architecture rather than against it, deploying an Irish art collection across rooms that retain their original proportions. A short walk around the Green, the Shelbourne has occupied its position since 1824 and carries the particular authority of a building that has outlasted most of what happened around it — the 2007 renovation by ORC Interiors preserved its ballroom and Lord Mayor's Lounge while updating the guest rooms with appropriate restraint. The Fitzwilliam, directly opposite on St. Stephen's Green, takes a cooler approach, its contemporary interiors by Terence Conran setting up a productive tension with the Georgian address. The Leinster, tucked into Merrion Square itself, brings a quieter residential quality to this zone — smaller in scale, genuinely embedded in the square's townhouse fabric. Move west into the Creative Quarter and the register shifts. The Westbury, on Grafton Street, has operated as one of the city's central gathering points for decades, its public spaces doing real social work in a neighborhood defined by foot traffic and proximity to the cultural institutions of Temple Bar. The Grafton Hotel, newer to the same area, takes a more tailored approach to the period fabric. The Wilder Townhouse in Dublin 2 earns its name — a cluster of Victorian townhouses converted with enough editorial intelligence to feel like a home rather than a branded product. The docklands and the suburbs reveal a different ambition. Anantara The Marker, designed by Manuel Aires Mateus and sitting directly on Grand Canal Square beside Martha Schwartz's red resin plaza, is architecturally the most serious building in this portfolio — its distinctive checkered facade a genuine piece of contemporary architecture in a neighborhood still negotiating its own identity. Across the Liffey at Point Square, the Gibson serves the convention and arena crowd with competent contemporary interiors. In Ranelagh, The Devlin has become a neighborhood institution since opening, its ground-floor bar pulling in locals in a way that most hotel lobbies never manage. The Dean, down in the Nightclub District, pitches younger and looser — rooftop, natural light, an atmosphere that knows what it is.

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The Chancery Dublin

Dublin • Dublin Castle • OPTIMIZE

avg. $259 / night

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The Chancery Dublin Design Editorial

Directly across from Dublin Castle, on the cobbled stretch of Lower Exchange Street where the city's administrative heart has concentrated power for centuries, The Chancery Dublin established itself in a purpose-built contemporary structure whose dark brick facade and black steel window frames take their cues from Georgian warehouse vernacular rather than imposing anything foreign onto the streetscape. The massing steps back at upper floors, allowing terrace rooms to open onto unobstructed views across the rooftops toward City Hall and the dome of the Four Courts — a panorama visible in the images that places guests within the legible geography of the old city. Inside, the interiors move between a warm mid-century register and something livelier. Guest rooms carry walnut joinery, forest-green upholstered headboards, brass pendant fittings, and herringbone oak floors — a considered palette that avoids the generic. The bar takes a more theatrical turn: a grid of amber-lit oval ceiling recesses casts the room in the burnished glow of a 1970s supper club, anchored by curved velvet banquette seating and fluted dark-stone columns. The restaurant opens onto a courtyard garden framed by a dry-stone rubble wall, its organic ceiling canopy in pale timber lending the space an almost Nordic calm. Throughout, green — deep bottle to sage — threads the scheme together as a quiet nod to the country just beyond the cobblestones outside.

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The Leinster

Dublin • Merrion Square • SPLURGE

avg. $298 / night

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The Leinster Design Editorial

Merrion Square sits at the heart of Georgian Dublin, its red-brick terraces and iron-railed gardens forming one of the most coherent pieces of eighteenth-century urban planning in Europe — which makes the creamy limestone facade of The Leinster, purpose-built in a quietly confident contemporary classicism, an interesting proposition. Arched arcades at street level, a grid of steel-framed windows above, and a glazed rooftop addition set back from the parapet line give the building a layered verticality that acknowledges its surroundings without deferring to pastiche. The interiors carry a different energy altogether: bold red velvet headboards upholstered in large-scale botanical prints, spotted dalmatian-patterned carpets, crimson club armchairs, and fringed pendant shades in cream give the rooms the atmosphere of a well-dressed private house rather than a chain hotel. The rooftop bar arrives in full maximalist colour — walls, banquettes, and ceiling lacquered in a deep cinnabar red, teal velvet barrel chairs pulled up to honey-toned marble tables, and a cascading amber Murano-style glass chandelier overhead. The restaurant one floor up takes a different tack, olive trees planted directly into the floor anchoring a space dressed in tan leather dining chairs, aged timber ceiling panels, and hexagonal pendant lanterns — the effect is closer to a Mediterranean courtyard brought indoors than to a conventional hotel dining room. Taken together, the public spaces move through registers with considerable confidence, the exterior's restraint giving little away about the theatrical warmth waiting inside.

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The Grafton Hotel

Dublin • Creative Quarter • SPLURGE

avg. $346 / night

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The Grafton Hotel Design Editorial

At the southern end of Dublin's Grafton Street, where the city's most walked thoroughfare dissolves into the creative energy of the surrounding quarter, a six-storey red-brick building presents a facade that manages to feel both contemporary and entirely of its Georgian-Victorian streetscape. The Grafton Hotel, which opened in 2021 as part of the Autograph Collection, was designed with interiors by the Dublin-based firm Douglas Wallace, working across 122 rooms and a cluster of food and beverage spaces that each carry a distinctly different register. The guest rooms layer deep cobalt carpet in a gold-wave pattern against dark-stained timber furniture, channelled leather armchairs in cognac, and pendant lighting drawn from a mid-century European hotel idiom — the effect closer to a well-appointed private club than a corporate city property. Brass detailing recurs throughout, tying the rooms to the lobby café below, where a fluted dark-bronze service counter sits beneath an oxidised copper canopy, teal velvet tub chairs arranged on encaustic tile flooring alongside curved tangerine banquette seating. The ground-floor bar pulls in a different direction entirely — tiered copper pendants, burgundy leather bar stools with brass footrings, arched lattice millwork, and botanical-print occasional chairs — assembling something closer to a reimagined Victorian Dublin pub than a hotel bar, which in this part of the city is exactly the right instinct.

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The Westbury Hotel

Dublin • Creative Quarter • SPLURGE

avg. $522 / night

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LHW Leaders Club property

The Westbury Hotel Design Editorial

Grafton Street's most storied address has anchored Dublin's Creative Quarter since The Westbury Hotel first opened in 1984, its mid-century postmodern facade — warm Portland stone cladding, dark-painted steel framing the entrance canopy, clipped box topiary in black planters — establishing a particular register of confident urban luxury that the surrounding streets have gradually grown into rather than away from. The property was substantially refurbished in the 2010s, with interiors by Irish design studio Kingston Lafferty, who brought a considered Anglo-Irish sensibility to the 164 rooms and suites across seven floors. The guest rooms layer dark-stained four-poster frames and deep-buttoned headboards in pale chamois velvet against warm walnut floors and silvered lacquer ceilings — amber silk scatter cushions providing the single note of warmth in an otherwise restrained palette. Downstairs, the hotel runs two distinct dining registers: Balfes, the ground-floor brasserie visible from the entrance forecourt, fitted with marble-topped tables, dark bentwood chairs, and black Chesterfield banquettes beneath a whitewashed brick and exposed-services ceiling that borrows from the Paris bistro tradition; and the Sidecar bar's garden terrace restaurant, an altogether different proposition — trailing ivy climbing dark steel columns, black-and-white marble tile underfoot, oversized milk-glass globe pendants suspended from a coffered ceiling, pink linen throws draped over rattan chairs. The contrast between the two rooms, almost theatrical in its deliberateness, gives the Westbury an unusual plurality for a hotel of its size.

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The Shelbourne, Autograph Collection - Image 1

The Shelbourne, Autograph Collection - Image 2

The Shelbourne, Autograph Collection - Image 3

The Shelbourne, Autograph Collection

Dublin • St. Stephen's Green • SPLURGE

avg. $562 / night

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Marriott Bonvoy® property

The Shelbourne, Autograph Collection Design Editorial

Few addresses in Irish life carry the weight of 27 St. Stephen's Green, where The Shelbourne has stood since 1824 — a presence so embedded in the national story that the Irish Constitution was drafted within its walls in 1922. The current Italianate facade, with its red brick panels framed by cream stucco pilasters and a wrought-iron entrance canopy, dates from an 1867 expansion that gave the building its commanding five-storey presence over Dublin's finest Georgian square. A restoration completed in 2007 returned 265 rooms to a standard befitting that history, with design work drawing on the hotel's accumulated identity rather than imposing anything from outside. The interiors move between registers with considerable assurance. Guest rooms layer mahogany bedside tables and carved wooden headboards against wall-to-wall neutral carpets in wave patterns, celadon ceramic lamp bases adding a quiet note of colour, and crystal chandeliers anchoring the plasterwork ceilings overhead. The contrast between spaces is especially pronounced in the bars: the No. 27 bar runs to inky slate-blue panelling, polished dark timber floors, and Baccarat-style crystal chandeliers suspended above mirrored overmantel panels, while the intimate Horseshoe Bar retreats into dark-green walls, floor-to-ceiling walnut bookcases lit from within, red leather barstools, and a formal portrait above the fireplace that gives the room the atmosphere of a private members' library. Together they form a portrait of a hotel that has absorbed two centuries of Dublin without losing its composure.

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The Merrion

Dublin • City Centre • SPLURGE

avg. $628 / night

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LHW Leaders Club property

The Merrion Design Editorial

Four interconnected Georgian townhouses on Upper Merrion Street, directly opposite the gates of Government Buildings, give The Merrion its architectural identity — a terrace dating from the 1760s that once counted the Duke of Wellington among its residents, restored and opened as a 142-room hotel in 1997. The project was led by Dublin practice O'Mahony Pike Architects, who knitted together the four houses and added a new garden wing behind them, framing a walled courtyard garden that is one of the most considered outdoor spaces in Irish hospitality. The garden, visible in the images as a formal arrangement of box hedging, a long reflecting pool, and antique stone urns set against limestone paving, draws on the eighteenth-century Irish garden tradition without tipping into pastiche. Interiors were conceived by Irish designer Helen Turkington, whose palette runs to warm putty, silver-grey, and soft gold throughout — seen here in the guestrooms' checked upholstered headboards, white-painted neo-classical nightstands with gilt detailing, and pleated linen lampshades that carry the temperature of candlelight. The restaurant opens fully to the garden through floor-to-ceiling glazing, its herringbone oak floor and wicker side chairs giving the room an unhurried domestic feeling. Deepest in the building, the swimming pool is one of the hotel's most theatrical gestures: a mosaic-tiled basin anchored by a hand-painted mural of classical garden scenes, flanked by plaster relief panels, the whole composition reflected in still blue water below a vaulted ceiling.

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The Dean Dublin

Dublin • Nightclub District • OPTIMIZE

avg. $203 / night

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The Dean Dublin Design Editorial

Behind a Georgian brick facade on Harcourt Street, where Dublin's Victorian terraces give way to the city's most reliably chaotic nightlife corridor, The Dean arrived in 2015 with a brief that most hotels on this stretch would never attempt: to be genuinely of the neighbourhood rather than insulated from it. The building's fanlight entrance and cast-iron railings survive intact, but step inside and the continuity ends — the lobby shifts into something closer to a late-night bar than a check-in hall, with diamond-quilted dark leather wall panels, herringbone timber floors, iMacs on the desk, and a neon sign overhead reading I fell in love here that sets the tone immediately. The 52 rooms, designed by Dublin studio Denise O'Connor of Moloko, work a palette of slate blue and petrol green across panelled walls, pairing tufted upholstered headboards with amber suede armchairs on hairpin-leg frames, Marshall speakers on walnut credenzas, and ceiling fans that push the whole thing toward a kind of updated mid-century cool without tipping into pastiche. The herringbone floor pattern carries through from the lobby into the rooms, maintaining coherence across the building's six floors. Up top, the Sophie's rooftop bar strips everything back — exposed steel ceiling grid, poured concrete counter, black-painted stools — and frames a wide-angle panorama of Dublin's roofline, with Christ Church Cathedral visible across the city's low skyline.

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The Devlin

Dublin • Ranelagh • OPTIMIZE

avg. $251 / night

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The Devlin Design Editorial

Ranelagh is not where you expect to find a rooftop bar with views stretching to the Dublin Mountains, yet that unlikely elevation is precisely what gives The Devlin its character among a village of red-brick Victorian terraces and independent cafés. Developed by the Mortell family and designed with interiors by Irish studio Isme, the 40-room hotel sits within a contemporary seven-storey block completed in 2018, its upper-floor glass pavilion visible for blocks around — a lantern above a low-rise neighbourhood that still feels resolutely local rather than metropolitan. The ground-floor bar sets the material register: a long copper-topped counter runs the full length of the room beneath exposed timber beam ceilings, herringbone-tiled floors in pale stone shifting between the bar and the dining areas where tan leather banquette seating curves around marble-topped tables. Brass pendant lights and cylindrical copper shades keep the palette warm and deliberately analog. Upstairs in the rooftop restaurant, ribbed tan leather booths face floor-to-ceiling glazing on three sides, the parquet floors and exposed structural ceiling giving the space an atmosphere closer to a 1970s supper club than a hotel dining room. The bedrooms carry the same considered informality — teal-painted tongue-and-groove panelling, oak-platform beds with under-drawer storage, Smeg mini-fridges, Marshall speakers, and small-format abstract prints that feel genuinely chosen rather than sourced through a hotel art consultant.

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The Gibson

Dublin • Point Square • OPTIMIZE

avg. $277 / night

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The Gibson Design Editorial

Point Square in Dublin's north docklands — the regenerated former industrial waterfront that repositioned itself as the city's entertainment quarter in the 2000s — gave the Gibson Hotel its architectural brief almost by default. Completed in 2010, the property was designed by Dublin practice Reardon Smith Architects and sits at the centre of a mixed-use development anchored by the 3Arena concert venue, which explains the building's emphatically contemporary presence: a glazed curtain wall wrapped in horizontal aluminium brise-soleil, the whole structure cantilevered beneath a steel-framed canopy that shelters the entrance forecourt. The effect from street level is less hotel arrival than corporate campus gateway, though the interior quickly corrects that impression. The 252 rooms carry a palette of sage green, warm taupe, and acid yellow that tracks the property's music-industry adjacency without leaning too hard into theme — timber-slatted balcony screens filter garden views in the lower-floor rooms, while upper floors open onto the docklands skyline through full-height glazing. Public spaces work harder: the top-floor Sevens Bar deploys lacquered red ceiling fins, polished granite bar surfaces, and chartreuse velvet seating against floor-to-ceiling windows with panoramic city views, while the ground-floor restaurant arranges red banquette seating beneath a double-height glazed wall overlooking the landscaped courtyard. The Gibson lands somewhere between business hotel and music destination — a positioning that suits Point Square's own unresolved identity rather well.

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Anantara The Marker Dublin

Dublin • Grand Canal Square • SPLURGE

avg. $333 / night

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LHW Leaders Club property

Anantara The Marker Dublin Design Editorial

Designed by Manuel Aires Mateus and completed in 2012, the building at Grand Canal Square that houses Anantara The Marker Dublin is one of the more architecturally considered hotel structures built in Ireland in recent decades — a pixelated facade of white and green glass panels that shifts in tone as Dublin's cloud-filtered light moves across it, its ground floor lifted on angled red steel columns to create a permeable public threshold facing the water. The square itself was masterplanned by Kevin Roche and landscaped by Martha Schwartz, placing the hotel within one of the city's few genuinely resolved pieces of contemporary urban design. Inside, the two registers of the building's identity pull in productive tension. The lobby bar's faceted concrete ceiling — folded into sharp geometric planes and washed in amber light — gives the ground floor the atmosphere of something excavated rather than constructed, an effect reinforced by the polished concrete floors and the mix of low-slung wingback chairs and Saarinen-style tulip tables below. The 187 guestrooms carry a cleaner sensibility: cobalt blue carpeting, upholstered headboards in ivory leather, and chartreuse throws in the standard rooms, while upper-category suites shift to darker graphite wallcoverings with articulated brass wall sconces. The spa descends further into darkness still — blackened slate tile, a tungsten-lit lap pool, and amber leather loungers arranged beneath a sculptural pendant light that provides the room's only moment of levity.

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The Wilder Townhouse

Dublin • Dublin 2 • SPLURGE

avg. $343 / night

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Hilton Honors™ property

The Wilder Townhouse Design Editorial

The terracotta brick facade on Harcourt Terrace — three storeys of High Victorian Gothic brickwork, pointed arch entrance, decorative corbelling, and tall chimney stacks stepping against Dublin sky — belongs to a row of late nineteenth-century townhouses that the Georgian grid of Dublin 2 gives way to as you move south toward the canal. Converted into The Wilder Townhouse, the property preserves the building's Victoriana on the outside while working a more eclectic interior register within its 42 rooms. Inside, the approach is one of layered eclecticism rather than period restoration. Guestrooms retain their original white-painted plaster fireplaces with encaustic tile inserts, and herringbone-laid dark oak parquet runs throughout, but the furniture introduces a confident mid-century vocabulary — ochre wing chairs, scallop-backed velvet armchairs in burgundy, and freestanding dark walnut wardrobe units with brass detailing that anchor the larger suites. Dress-form mannequins printed with Parisian script add a haberdashery whimsy that stops just short of pastiche. The dining room strips the original brickwork back to raw Victorian clay, pairing it with mustard velvet side chairs, marble bistro tops, and a branching brass pendant chandelier that pulls the room toward something warmer and more Continental. The bar, finished in deep navy-painted panelling with brass-footed stools and PH-style dome lamps, settles into the role of a proper Dublin hotel bar without straining for novelty.

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The Fitzwilliam Hotel Dublin

Dublin • St. Stephen's Green • SPLURGE

avg. $437 / night

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I Prefer property

The Fitzwilliam Hotel Dublin Design Editorial

Directly opposite the neoclassical facade of the Irish Parliament on St. Stephen's Green, a polished granite and glass building completed in 1998 gave Dublin something it had long lacked: a purpose-built contemporary five-star hotel with the confidence to face down one of the city's most architecturally charged addresses. The Fitzwilliam Hotel was designed by Dublin practice O'Muire Smyth Architects, its clean-lined exterior — warm-toned granite cladding, full-height glazing at street level, a cantilevered glass entrance canopy — deliberately positioning itself as a modern counterpoint to the Georgian and neoclassical fabric surrounding St. Stephen's Green. The interiors were conceived by Terence Conran's studio, which brought a distinctly mid-century-inflected European sensibility to the 139-room property. The lobby establishes the tone early: large-format limestone floor tiles, a geometric purple-and-grey patterned rug anchoring a seating arrangement of chartreuse armchairs and plum velvet sofas, contemporary Irish paintings hung against pale walls. Guest rooms follow the same chromatic logic — deep buttoned headboards in violet or aubergine velvet, chevron and geometric-patterned carpets in acid green and purple, walnut joinery giving warmth to what could otherwise tip into corporate sharpness. The restaurant, with its oval pendant lights clustered across a low ceiling and walls lined with black-and-white photography, carries a distinctly 1960s brasserie atmosphere. A rooftop garden running the length of the building above the Green gives the hotel an urban amenity rare for central Dublin.