Best hotels in Palm Springs | A Curated Visual Guide to Top Stays

Welcome to PressBeyond, the ultimate curated visual guide for design-driven hotels! My name is Will Miller and these are my recommendations for the best boutique and luxury hotels in Palm Springs.

I am the founder of PressBeyond and I am an ultra-meticulous hotel curator who loves clean visuals. I have individually analyzed and tiered each hotel included in this guide based on a variety of criteria (architecture & design, location, brand & brand affiliation, existing reviews, and my own personal experiences), and importantly, I have hand-selected the leading imagery for each hotel to provide you with easily-digestible, yet detailed and complete, like-for-like, high-level visual profiles. I felt this summarization step was a critical missing piece across existing guides, blogs, and booking platforms. My aim is to make it easier for people to identify hotel environments that resonate with them, along with enabling them to visualize the types of social experiences that those environments help foster. My brain doesn't work when exposed to cluttered content, so my goal was to create the opposite.

Underneath this, we are also a full booking engine offering 5% Venmo cash back along with other exclusive perks. For all of you design-obsessed hotel enthusiasts out there, I hope this guide helps get you to where you see yourself!

An Overview of the Boutique & Luxury Hotel Landscape in Palm Springs

The thing that still catches you off guard about Palm Springs is how coherent it is. Other American resort cities accumulated their built environments in layers of competing ambitions, but this one landed almost fully formed in the postwar decades — a single sustained argument for modernism as a way of life, made in glass, steel, and desert concrete. That argument runs directly through the hotels. L'Horizon Resort and Spa in Deepwell Estates was designed by William Cody in 1952, and it remains one of the clearest distillations of that original proposition: low, horizontal, built for the specific quality of light that pours off the San Jacinto range at late afternoon. Colony Palms, over in the Movie Colony, operates in a different register — a 1930s Spanish Colonial-era estate that predates the modernist consensus — while Sparrows Lodge nearby converts a former date ranch into something rougher and more tactile, more about materials than geometry. These two Deepwell and Movie Colony properties reward travelers who want a sense of the city's layered residential identity, away from the central corridor. Palm Canyon Drive and Downtown concentrate the properties most attuned to Palm Springs as cultural moment rather than architectural archive. The Parker Palm Springs, with Jonathan Adler's interiors reworking Gene Autry's former Givenchy Hotel site, leans into maximalist eclecticism with enough wit to avoid pastiche. The Kimpton Rowan occupies one of the few new vertical structures in a city that has historically resisted height, offering rooftop views that reframe the valley geography entirely. The Thompson and Drift Palm Springs both address a younger, design-literate clientele, and the Ace Hotel, now well into its second decade here, functions less as a hotel than as a public gathering point that happens to have rooms attached. ARRIVE, up in the Uptown Design District, keeps its scale modest and its palette desert-honest. Beyond the city proper, the Ritz Carlton Rancho Mirage sits on a mesa edge above the Coachella Valley and operates as a distinct proposition — more resort than hotel, with a scale and drama that contrasts sharply with the intimate bungalow culture that defines the Historic Tennis Club neighborhood, where the Avalon, Holiday House, Casa Cody, and Ingleside Estate all occupy different points on the spectrum between careful restoration and contemporary repositioning. The Tennis Club pocket, walkable and dense with mid-century residential fabric, remains the most rewarding neighborhood for travelers who want Palm Springs as a place rather than a backdrop.

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Avalon Hotel & Bungalows Palm Springs - Image 1

Avalon Hotel & Bungalows Palm Springs - Image 2

Avalon Hotel & Bungalows Palm Springs - Image 3

Avalon Hotel & Bungalows Palm Springs

Palm Springs • Historic Tennis Club • OPTIMIZE

avg. $258 / night

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Marriott Bonvoy® property

Avalon Hotel & Bungalows Palm Springs Design Editorial

Mid-century Palm Springs real estate has a habit of concealing remarkable pedigrees behind modest stucco facades, and the compound that became the Avalon Hotel & Bungalows is no exception. The original structures date to 1938, built in a Spanish Colonial Revival register with terracotta roof tiles and whitewashed walls that have aged gracefully through successive ownerships and renovations. Kelly Wearstler's redesign — her work here preceded her ascent to near-ubiquitous status in American luxury hospitality — established the graphic monochrome vocabulary that still defines the property: white canvas cabanas edged in black Greek-key trim, striped charcoal carpeting, plaster medallions mounted above lacquered black headboards, and chain-hung lanterns that mix industrial and classical references without quite committing to either. The pool terrace, manicured into tightly clipped hedgerows and axial stone paths, carries the disciplined geometry of a formal garden transplanted into the desert, bougainvillea providing the only chromatic rupture. Inside the 83-room property, the rooms divide between the graphic drama of the main building — brass candelabra chandeliers, mid-century abstract paintings in ochre and black — and the all-white bungalow suites, where linen curtains, plaster medallions, and white tile floors create something closer to a bleached Mediterranean calm. The restaurant maintains the same tonal contrast: cream banquettes, ebonised tables, globe pendants suspended on rope, and a salon wall of decorative mirrors and plates arranged in deliberate asymmetry.

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ARRIVE Palm Springs

Palm Springs • Uptown Design District • SPLURGE

avg. $291 / night

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ARRIVE Palm Springs Design Editorial

Weathered Cor-Ten steel cladding along Palm Canyon Drive announces ARRIVE Palm Springs with the confidence of a building that knows exactly what it is — a low-slung, two-storey compound in the Uptown Design District that draws on the desert modernist tradition without simply reprinting it. Opened in 2016 and developed by the ARRIVE Hotels group, the property was designed by Mark Nichols of DesignAgency, whose 32-room scheme wraps corrugated rusted steel panels around wood-clad volumes set back behind CMU block garden walls, climbing vines threading up the masonry in a gesture that softens the industrial material palette without diluting it. The San Jacinto Mountains rise directly behind, framing the whole composition in a way that feels less like scenery than structural logic. Inside, the rooms deploy a mid-century vernacular updated with enough textural friction to feel current rather than nostalgic — tufted grey linen headboards, walnut writing desks with tapered legs, leather Chesterfield chairs, and open pipe garment rails that replace the closet with something more honestly provisional. Brass pendant lights hang on exposed red cords, a diamond-pattern wool throw pulls burgundy into the otherwise cool palette, and wood-plank ceilings pitched at a clerestory height draw in palm fronds and desert sky above the bed. The pool terrace, lined with white loungers and tall Washingtonia palms glowing amber at dusk, has the easy sociability of a well-edited backyard rather than a resort amenity.

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Drift Palm Springs, a Member of Design Hotels - Image 1

Drift Palm Springs, a Member of Design Hotels - Image 2

Drift Palm Springs, a Member of Design Hotels - Image 3

Drift Palm Springs, a Member of Design Hotels

Palm Springs • Downtown • SPLURGE

avg. $389 / night

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Marriott Bonvoy® property

Drift Palm Springs, a Member of Design Hotels Design Editorial

Against the raw face of the San Jacinto Mountains, where downtown Palm Springs gives way to desert scrub and the light turns amber by mid-afternoon, a low-slung white stucco complex of three-storey wings and articulated balconies frames a landscape of columnar cacti, fan palms, and yellow poolside umbrellas. Drift Palm Springs, which arrived as part of the Drift Hotels collection with a design sensibility rooted in the slow-travel movement, takes the pueblo-inflected modernism of the Coachella Valley and strips it back to something closer to a high-desert meditation on material restraint. The massing — stepped volumes, flat rooflines punctuated by warm timber pergola accents, generous private balconies — is in clear conversation with the midcentury resort tradition of Palm Springs without slavishly repeating it. Inside, the palette is sand, raw linen, and bleached oak: platform beds sit on woven jute rugs against upholstered linen headboards, with solid oak cube nightstands and paired black steel wall sconces keeping the geometry deliberately spare. Botanical photography in deep violet frames brings the surrounding desert flora into the rooms as abstraction. The lobby bar works a different register — a kiva-style plaster fireplace anchors one corner, wicker barrel chairs gathered around it, while a ceiling-mounted steel bottle rack draws the eye toward a white zellige-tiled bar counter. The overall atmosphere is one of considered informality, the kind of desert retreat that feels arrived-at rather than manufactured.

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Thompson Palm Springs

Palm Springs • Palm Canyon Drive • SPLURGE

avg. $450 / night

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World of Hyatt property

Thompson Palm Springs Design Editorial

Against the raw face of the San Jacinto Mountains — as close to the escarpment as Palm Canyon Drive permits — Thompson Palm Springs makes its argument in white stucco volumes, cantilevered balconies, and flat rooflines that echo the Coachella Valley's mid-century modernist inheritance without imitating it directly. Opened in 2021, the 168-room property was developed on a site long associated with Palm Springs hospitality, its low-rise massing stepping across two and three storeys to keep the mountain backdrop dominant rather than obscured. The architecture, contemporary desert modernist in register, gives every room a private outdoor terrace and a framed view of either the mountains or the palm-lined valley floor below. Inside, the interiors — designed with a layered warmth that runs counter to the bleached minimalism common in desert hotels — move between terrazzo floors, burl-wood nightstands, upholstered headboards in taupe and sage, and brass fittings that carry a quiet 1970s California resonance. The lobby bar anchors the social atmosphere with a curved counter faced in amber glazed tile, dark flagstone flooring, and large-scale artworks that tip toward lowrider culture and Californian botanical imagery. Striped black-and-white umbrellas line the pool deck in a graphic pattern visible from the upper balconies, the San Jacinto ridgeline rising sharply behind — a view that makes the case for this particular site more persuasively than any interior detail could manage.

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Colony Palms Hotel

Palm Springs • The Movie Colony • SPLURGE

avg. $461 / night

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Colony Palms Hotel Design Editorial

Prohibition money built the original structure on North Indian Canyon Drive in 1936 — a Spanish Colonial Revival compound reportedly financed by a Los Angeles mobster, its stucco walls and terracotta roof tiles designed to project respectable Californian ease while serving considerably less respectable purposes. Colony Palms Hotel takes its name from the surrounding Movie Colony neighborhood, where Hollywood's golden-age establishment retreated from scrutiny, and that layered history — glamour, discretion, mild transgression — runs through its recent reimagining as visibly as the bougainvillea climbs its courtyard arches. The renovation brought the interiors into sharp, committed conversation with the property's era without tipping into pastiche. The lobby sets the register immediately: a trompe-l'oeil diamond-pattern marble floor in green, black, and white anchors a room furnished with sheepskin-draped tubular steel chairs and mint velvet petal-back sofas, a dark wood reception desk trimmed in brass rising against a backdrop of fluted green lacquer. Guest rooms carry the chromatic commitment further — forest-green channel-tufted headboards against botanical or geometric wallpapers, olive velvet ottomans, cane-framed side tables, and Roman blinds in coordinating patterns that suggest a well-traveled 1940s collector rather than a design-hotel brand exercise. At the pool, green-and-white striped awnings shade cane-and-lacquer dining chairs beneath a clear view of the San Jacinto Mountains, the whole scene closer to a Slim Aarons photograph than anything conceived after 2000.

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The Parker Palm Springs

Palm Springs • Palm Canyon Drive • SPLURGE

avg. $465 / night

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LHW Leaders Club property

The Parker Palm Springs Design Editorial

Gene Autry built his desert retreat here in 1959, and the sprawling low-rise compound on Palm Canyon Drive has carried that sense of private fantasy ever since. When Jonathan Adler and his partner Simon Doonan reimagined the property as The Parker Palm Springs in 2004, working within the original Modernist bones — breeze-block screens casting lacework shadows against the San Jacinto Mountains, flat-roofed pavilions stepping back through mature fan palms — the brief was essentially to amplify rather than erase. The 144-room resort sits inside that mid-century armature with a kind of gleeful eclecticism: white four-poster frames paired with Moroccan Beni Ourain rugs, Bertoia wire chairs cushioned in citrus orange and chartreuse beneath pleated orange canvas canopies, carved Indian folding screens used as room dividers against dark-beamed ceilings hung with textured plaster. The exterior breeze-block wall visible in the images — a classic California Modernist sunscreen, monumental in scale against that cobalt desert sky — signals the architectural seriousness beneath Adler's maximalist surface. Pool terraces furnished with green-and-white striped market umbrellas and oversized glazed pots carry the atmosphere of a private estate rather than a resort hotel, the Moroccan-influenced planting scheme reinforcing that residential mood. Indoors, grasscloth ceilings, raw-stucco walls, and a collector's mix of mid-century and global craft pieces give each room the feeling of somewhere assembled over time — charismatic rather than curated, which is precisely the effect Adler has always worked toward.

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Kimpton Rowan Palm Springs Hotel - Image 1

Kimpton Rowan Palm Springs Hotel - Image 2

Kimpton Rowan Palm Springs Hotel - Image 3

Kimpton Rowan Palm Springs Hotel

Palm Springs • Downtown • SPLURGE

avg. $510 / night

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IHG® One Rewards property

Kimpton Rowan Palm Springs Hotel Design Editorial

Palm Springs had never seen a high-rise hotel quite like this one when the Kimpton Rowan arrived in 2017 — a thirteen-storey tower designed by Culver City-based architecture firm Patel Architecture rising above the low-slung midcentury fabric of Downtown, its facade articulated with a custom concrete breeze-block screen that glows amber at dusk like a lantern set against the San Jacinto Mountains. The address at 100 West Tahquitz Canyon Way placed it at the dead centre of the city's revival, and the building's vertical ambition was a deliberate provocation in a desert town that had spent decades celebrating the horizontal. Inside, the 153 rooms carry exposed board-formed concrete ceilings and polished concrete columns alongside warm oak millwork and headboards upholstered in a graphic art deco-inflected pattern in indigo and white — a palette that threads through the patterned rugs and layered drapes without tipping into pastiche. The marble-topped nightstands and bronze-based ceramic lamps visible in the guest rooms bring a considered residential quality to what could easily have felt corporate. At the bar, a cantilevered steel shelving system suspends above a stone-clad counter while floor-to-ceiling glazing frames the mountain ridgeline, the desert landscape functioning as a permanent backdrop. The pool terrace, set on an elevated deck with teak loungers cushioned in ikat-adjacent printed fabric, turns the whole of the Coachella Valley into a foreground.

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L'Horizon Resort And Spa

Palm Springs • Deepwell Estates • SPLURGE

avg. $606 / night

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L'Horizon Resort And Spa Design Editorial

William Cody designed the original compound in 1952 for industrialist Jack Wrather, and the single-storey bungalow structures he placed along the base of the San Jacinto Mountains remain among the most quietly authoritative examples of Desert Modernism in Palm Springs. L'Horizon Resort and Spa, set within the Deepwell Estates neighborhood, was restored and repositioned in the early 2010s, the kidney-shaped pool and low-slung pavilions with their deep overhangs and floor-to-ceiling glass walls kept largely intact — Cody's geometry too good to argue with. Inside, the interiors navigate a careful line between mid-century fidelity and contemporary hotel comfort. The images reveal two distinct room registers: one category preserves exposed wood-beam ceilings, whitewashed brick, and original masonry fireplaces faced in patinated corten steel — the Desert Modern idiom treated with genuine respect — while a second, more recent suite typology layers terrazzo floors, fluted walnut wall paneling, boucle sofas, Chandigarh-lineage scissor chairs, and a veined marble cocktail table into something closer to current design conversation. The pool terrace, dressed in white canvas cabanas and powder-coated loungers against a backdrop of mature Washington palms and the bare granite ridgeline behind, holds the property's essential atmosphere: the feeling of a very well-kept private compound that has simply never gone out of fashion.

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Ingleside Estate

Palm Springs • Historic Tennis Club • OPTIMIZE

avg. $145 / night

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Ingleside Estate Design Editorial

Built in 1925 as a private estate in Palm Springs' Historic Tennis Club neighborhood, the compound that became Ingleside Estate predates the mid-century modernist wave that most people associate with the desert city — its Spanish Colonial Revival architecture belonging instead to an earlier, more romantic chapter of California leisure. White stucco walls, terracotta barrel-tile roofs, and arched colonnades frame a central courtyard where a bronze figurative fountain sits beneath mature Mexican fan palms, the San Jacinto Mountains rising dramatically behind. The property was later home to the Welwood Murray Memorial Library before its conversion into a hotel, and its low-slung bungalow scale — single-storey casitas arranged across landscaped grounds — preserves the feeling of a private compound rather than a hospitality operation. The interiors strike a calibrated tension between the building's Spanish heritage and a spare, contemporary sensibility. Hexagonal terracotta floor tiles ground each room in the language of the original structure, while blackened four-poster beds, burnished leather club chairs, and linen-white bedding keep the atmosphere clean and unhurried. The dining room takes the opposite approach — deep charcoal plaster walls, a Maria Theresa crystal chandelier, mustard velvet dining chairs, and louvered shutters filtering the desert light into something closer to a private supper club than a hotel restaurant. Scallop-edged canvas umbrellas line the pool deck in teak and cream, the San Jacinto range reflected in the water behind them.

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Ace Hotel & Swim Club Palm Springs - Image 1

Ace Hotel & Swim Club Palm Springs - Image 2

Ace Hotel & Swim Club Palm Springs - Image 3

Ace Hotel & Swim Club Palm Springs

Palm Springs • Downtown • OPTIMIZE

avg. $170 / night

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Ace Hotel & Swim Club Palm Springs Design Editorial

Flat-roofed stucco blocks arranged around a generous pool deck, with the San Jacinto Mountains rising abruptly behind — the mid-century motel bones of what became the Ace Hotel & Swim Club Palm Springs were already deeply local before Commune Design got involved. The Los Angeles-based studio took over a 1965 Howard Johnson's motor inn in 2009, working with the property's 180 rooms across low-rise two-storey blocks rather than against them, preserving the sprawling horizontal logic that defines Palm Springs at its most characteristic. Cork floors warm the guest rooms, where slatted louvered walls serve as improvisational gallery rails — handwoven textiles, macramé wall hangings, acoustic guitars, and vintage travel trunks arranged with the casual accumulation of a well-traveled friend's apartment rather than any curatorial program. Cowhide rugs and sheer canvas curtains on ceiling-mounted tracks divide space without closing it off, and the grid-stitch cotton bedspreads carry the same unhurried tactility as everything else. Outside, the pool terraces are furnished with wire-frame lounge chairs and wood-framed pergolas that filter the desert light without blocking the mountain view, while the open-air restaurant shelters beneath a canvas canopy strung with café bulbs, its salvaged palm trunks serving as structural columns. The whole property functions less as a hotel than as a kind of permanent desert encampment for the culturally curious.

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Villa Royale

Palm Springs • Tahquitz River Estates • OPTIMIZE

avg. $220 / night

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Villa Royale Design Editorial

A cluster of Spanish Colonial Revival bungalows in Palm Springs's Tahquitz River Estates neighborhood, originally built in the 1940s and long beloved by European expatriates as a kind of bohemian hideaway, was reimagined in 2017 as Villa Royale under the creative direction of designer Kelli Miller. The renovation kept the low-slung, terracotta-roofed compound intact while layering a graphic mid-century sensibility over its Mediterranean bones — a combination that feels less like a decorating exercise than a natural evolution of the Coachella Valley's design inheritance. The 38-room property works a confident tension between its Andalusian architecture — white stucco walls, arched cabana bays clad in black-and-white Moroccan-patterned encaustic cement tiles, saltillo terracotta floors running continuously from pool deck into guest rooms — and a mid-century modern furniture program that keeps everything from tipping into pastiche. Rooms are anchored by full walnut paneled headboard walls, low-platform upholstered beds in heathered grey, walnut credenzas with brass pulls, and slat-framed sofas in bold black-and-white stripe, olive wingback chairs adding an acid note against teal velvet drapes. The bar, Don Cuco, shifts registers entirely: a coffered oak ceiling, dark paneled wainscoting, a roaring fireplace dressed in the same encaustic tilework that appears poolside, and velvet club chairs around brass-legged tables create a room that carries the atmosphere of a private members' club transported, somewhat improbably, to the desert.

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Sands Hotel & Spa

Palm Springs • Indian Wells • OPTIMIZE

avg. $254 / night

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Sands Hotel & Spa Design Editorial

Midcentury Palm Springs has attracted plenty of revival projects, but few have leaned so deliberately into the fantasy of the era as the Sands Hotel & Spa in Indian Wells, where a 1950s motor lodge was transformed by designer Martyn Lawrence Bullard into something closer to a Hollywood dream of the desert than a faithful restoration. The pink stucco facades, terracotta barrel-tile rooflines, and date palms framing the pool deck — striped cabanas in graphic black and white anchoring the scene — telegraph the Rat Pack era with obvious pleasure, while the 47 rooms layer that nostalgia with enough contemporary comfort to keep it from feeling like a theme park. Inside, Bullard's signature maximalism finds a disciplined channel: arched headboards upholstered in indigo block-print fabric, shibori-style quilts, fretwork bar cabinets painted white, and starburst brass ceiling pendants that nod to the atomic age without straining for irony. The restaurant interior doubles down with green-and-white checkered tile floors, rattan bistro chairs, pink banquette seating, and walls hung salon-style with vintage Palm Springs ephemera — magazine covers, poolside photography, framed mirrors in gilded and bamboo frames. On warm evenings the glazed wall folds back entirely, collapsing the boundary between bar and desert garden, where a tiled fire pit and clipped agaves complete what Bullard has always done best: interiors that feel genuinely lived in rather than merely curated.

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Casa Cody

Palm Springs • Historic Tennis Club • OPTIMIZE

avg. $261 / night

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Casa Cody Design Editorial

Harriet Cody, a relative of Buffalo Bill, built her winter hideaway in the shadow of the San Jacinto Mountains sometime in the 1920s, and the compound she left behind — low-slung adobe casitas with terracotta tile roofs, rough-plastered white walls, and hand-laid flagstone terraces shaded by mature citrus and fig trees — remains one of the most quietly persuasive examples of early California Spanish Colonial vernacular in Palm Springs. Casa Cody, now operating as a 29-room boutique hotel in the Historic Tennis Club neighborhood, has survived largely by resisting the urge to modernize beyond reason: the kidney-shaped pool ringed with scallop-fringed canvas umbrellas and teak loungers, the stone fountain anchoring a private garden courtyard, and the bougainvillea cascading across whitewashed walls all carry the unhurried atmosphere of a private estate rather than a managed property. Inside, the interiors balance the casitas' Spanish mission bones against a warmer, more eclectic sensibility. Exposed timber ceiling beams with decorative sawtooth valances frame rooms furnished with dark four-poster beds, carved wooden sofas upholstered in forest-green velvet, and kilim rugs layered over polished concrete floors — while other rooms shift toward terracotta tile underfoot, cobalt linen drapery, and burnt-orange velvet seating against olive-green headboards, the whole palette drawing from the desert landscape visible through every French door. The art program leans toward contemporary portraiture, an understated counterpoint to the deep historical register of the architecture surrounding it.

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Holiday House Palm Springs

Palm Springs • Historic Tennis Club • SPLURGE

avg. $332 / night

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Holiday House Palm Springs Design Editorial

Indigo was never just a color choice at Holiday House Palm Springs — it was a declaration. When designer Waldo Fernandez oversaw the renovation of this 1951 mid-century motor court property in Palm Springs' Historic Tennis Club neighborhood, he committed to a palette of cobalt and white with the conviction of someone who understood that restraint in a desert resort can read as timidity. The two-story white stucco structure, with its flat roof, steel-railed exterior staircase, and ribbon windows, carries the modest geometry of postwar California motel architecture exactly as built — the intervention is entirely in how the spaces have been dressed. Inside, the lobby lounge sets the tone with cobalt-lacquered concrete floors, wicker armchairs upholstered in blue-and-white botanical prints, and a mid-century multi-arm brass floor lamp anchoring one corner beneath an urchin-style burst pendant. Guest rooms layer block-printed indigo bedspreads over cane-headboard beds against boldly patterned feature wallpaper — a graphic sunburst motif that stops just short of maximalist — while suites furnish their living areas with deep-navy sofas, oval marble-topped coffee tables on walnut stretcher bases, and abstract California art in warm ochre and terracotta. The kidney-shaped pool, ringed with vintage-style aluminum loungers beneath navy market umbrellas, frames the San Jacinto Mountains with the casual confidence of a property that knows its setting does most of the work.

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Sparrows Lodge

Palm Springs • Deepwell Estates • SPLURGE

avg. $387 / night

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Sparrows Lodge Design Editorial

A working ranch dating to the 1950s, converted into one of Palm Springs' most quietly persuasive small hotels, gives Sparrows Lodge its essential character — the fieldstone walls, the board-and-batten barn structures, the mature palms standing sentinel over the pool deck are all original fabric, kept rather than reconstructed. Set within the residential calm of Deepwell Estates, the property was reimagined around 2012 by designer Pam Rosenfeld, who understood that the correct move was restraint: twenty rooms distributed across low-slung ranch buildings, none of it pushing beyond a single storey, the whole compound feeling closer to a privately owned retreat than a hotel operation. Inside, the interiors layer whitewashed tongue-and-groove cladding against those rough-cut fieldstone walls — the contrast doing the decorative work that other designers might assign to pattern or color. Beds sit in simple pine frames dressed in linen, jute rugs anchor polished concrete floors, and vintage leather lounge chairs pulled from mid-century Scandinavian lineage introduce just enough warmth to prevent the palette from cooling into austerity. The communal barn opens onto the pool through large steel-framed doors, a raw wood dining table surrounded by Wegner-adjacent woven chairs anchoring a bar backed by open shelving laden with bottles and objects. The cumulative atmosphere — part California ranch, part desert art colony, part considered editorial shoot — arrives without apparent effort, which is, of course, the hardest effect to achieve.

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The Ritz-Carlton, Rancho Mirage - Image 1

The Ritz-Carlton, Rancho Mirage - Image 2

The Ritz-Carlton, Rancho Mirage - Image 3

The Ritz-Carlton, Rancho Mirage

Palm Springs • Rancho Mirage • SPLURGE

avg. $539 / night

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Marriott Bonvoy® property

The Ritz-Carlton, Rancho Mirage Design Editorial

Carved into the Santa Rosa Mountains above the Coachella Valley floor, the building that houses The Ritz-Carlton, Rancho Mirage takes its formal cues from the desert terrain itself — low-slung adobe-toned volumes stepping down the hillside in a profile that echoes the layered geology visible from every room. Opened in 2014 on the site of a former Marriott resort, the property was conceived as a destination that turns its elevation into its primary design argument, with 244 rooms and suites arranged so that the San Jacinto range fills virtually every window frame, and the Coachella Valley spreads out some 650 feet below. The interiors pursue a warm desert regionalism — travertine-tiled floors, dark-stained mahogany millwork, upholstered headboards in sand and cream tones, woven rattan seating carried out onto private balconies furnished with low club chairs. Striped throws in ochre and ivory anchor the bedding without demanding attention. In the dining room, floor-to-ceiling steel-framed glazing makes the mountain panorama the dominant decorative element, the furniture deliberately restrained — tight upholstered chairs in taupe, crisp white linen — so that the dusk light shifting across the ridgeline behind does the heavy compositional work. The infinity pool continues this logic outward, its edge dissolving into the valley view, lime-green market umbrellas providing the only deliberate note of color against an otherwise earth-toned material story.

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Terra Palm Springs

Palm Springs • The Movie Colony • SPLURGE

avg. $494 / night

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Terra Palm Springs Design Editorial

Movie Colony, the Palm Springs neighborhood where Hollywood's golden-age elite built their desert retreats, supplies Terra Palm Springs with a setting that quietly elevates everything about it. The property is housed in a mid-century motor lodge — low-slung stucco volumes arranged around a central courtyard pool — whose original bones have been carefully preserved rather than erased. Flat rooflines, wide overhanging eaves, and warm timber stair railings carry the architectural register of 1950s desert modernism, while a sensitive renovation has layered in materials that feel genuinely of the place: flagstone pool surrounds, terracotta-toned lounge cushions, and redwood slatted privacy screens that echo the San Jacinto Mountains rising directly beyond. Inside, the rooms move between two complementary moods. Some lean warmer — wide-plank oak floors, jute rugs, a sculptural stacked-brick fireplace hood, terracotta accent cushions, and pendant lights in turned amber ceramic that bring to mind Baja vernacular more than Palm Springs glamour. Others are cooler and more graphic, with dark vertical timber slat wall panels behind the bed, woven textile wall hangings, and direct access to a private outdoor soaking tub framed by banana palms and desert plantings. The outdoor dining terrace, furnished with cane-backed teak benches, rope-weave chairs, and a low linear fire feature, frames the mountains at golden hour in a way that feels less like hotel programming and more like someone's very good private garden.