Best hotels in Paris, France | A Curated Visual Guide to Top Stays

Welcome to PressBeyond, the ultimate curated visual guide for design-driven hotels! My name is Will Miller and these are my recommendations for the best boutique and luxury hotels in Paris, France.

I am the founder of PressBeyond and I am an ultra-meticulous hotel curator who loves clean visuals. I have individually analyzed and tiered each hotel included in this guide based on a variety of criteria (architecture & design, location, brand & brand affiliation, existing reviews, and my own personal experiences), and importantly, I have hand-selected the leading imagery for each hotel to provide you with easily-digestible, yet detailed and complete, like-for-like, high-level visual profiles. I felt this summarization step was a critical missing piece across existing guides, blogs, and booking platforms. My aim is to make it easier for people to identify hotel environments that resonate with them, along with enabling them to visualize the types of social experiences that those environments help foster. My brain doesn't work when exposed to cluttered content, so my goal was to create the opposite.

Underneath this, we are also a full booking engine offering 5% Venmo cash back along with other exclusive perks. For all of you design-obsessed hotel enthusiasts out there, I hope this guide helps get you to where you see yourself!

An Overview of the Boutique & Luxury Hotel Landscape in Paris, France

The Seine's left bank and right bank have never quite agreed on what a hotel should be, and that tension — between intellectual discretion and aristocratic display — remains the most useful frame for navigating where to sleep in Paris. Saint-Germain-des-Prés rewards those who want their grandeur understated: the Mandarin Oriental Lutetia, which opened in its current form after a years-long renovation of the historic Art Deco Lutetia building by Jean-Michel Wilmotte, carries the weight of its literary past without leaning on it, while J.K. Place Paris brings the Florentine formula of Michele Bönan's interiors to the sixth with something closer to a private residence than a hotel. The Relais Christine, occupying a former Augustinian convent on a courtyard off the rue Christine, and the Hotel Montalembert — which Jacques Garcia touched in an earlier renovation — offer quieter alternatives for travelers who find the neighborhood's intellectual mythology more appealing than the lobby theatrics north of the river. Cross to the right bank and the registers multiply quickly. Around Place Vendôme, the Ritz Paris — its César Ritz provenance dating to 1898, the 2016 restoration overseen by Thierry Despont — and the Mandarin Oriental Paris, with its Sybille de Margerie interiors, establish the tone: meticulous, lapidary, conscious of their own weight. Le Meurice, whose Castiglione salon ceilings qualify as architecture rather than decoration, and the Park Hyatt Paris-Vendôme, designed by Ed Tuttle with a quieter modernist sensibility, offer genuinely different propositions at the same price altitude. Further toward the Champs-Élysées corridor, the Hotel de Crillon — restored by Tristan Auer and reopened in 2017 after four years — and La Reserve Paris, Michel Reybier's townhouse-scaled property with Jacques Garcia interiors on the Boulevard Haussmann, represent the current ceiling of Parisian residential luxury. The more interesting argument is for the properties that sit slightly off the obvious axes. The Cheval Blanc Paris, opened in 2021 within the LVMH-owned La Samaritaine complex redesigned by SANAA, is the most architecturally significant new hospitality project the city has produced in a generation, its Peter Marino interiors working in productive friction against Kazuyo Sejima and Ryue Nishizawa's rippled glass facade. Saint James Paris, a private club turned hotel in a Chaillot mansion with a winter garden greenhouse, and Le Pavillon de la Reine, set directly on the Place des Vosges in a seventeenth-century hôtel particulier, remind you that Paris has been accumulating exceptional buildings for so long that even the alternatives are consequential.

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Hôtel Keppler

Paris, France • Golden Triangle • OPTIMIZE

avg. $266 / night

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I Prefer property

Hôtel Keppler Design Editorial

Just off the Avenue des Champs-Élysées, where Rue Kepler cuts through the 8th arrondissement's Golden Triangle, a Haussmann-era limestone facade — its iron balconies and carved stone pilasters perfectly intact — signals the particular ambition of Hotel Keppler: to work within the conventions of Parisian grandeur while quietly subverting them. Pierre-Yves Rochon, who also guided the Four Seasons George V renovation, oversaw the interiors, bringing a confidence with monochrome contrasts that gives the 39-room property its distinctive character. The facade's cream stone at night, lit against matte-black signage panels, carries the feeling of a couture house rather than a traditional palace hotel. Inside, the rooms move between two moods with assurance. Some play the graphic card hard — matte black walls anchored by grids of black-and-white Paris photographs, geometric carpet in a bold hexagonal repeat, lacquered black bedframes with nailhead detailing against white linen. Others take a softer approach: toile-style wallpaper, herringbone parquet, Louis XVI bergères upholstered in houndstooth, and warm gold coffee tables. The salon, arranged around a carved marble fireplace, layers animal-print cushions, bronze greyhound sculptures, and velvet sofas against steel-framed glazing that frames the planted courtyard beyond — a composition closer to a well-edited private apartment than a lobby. The breakfast room, its chairs upholstered in botanical-print fabric, extends toward that same garden through full-height black-framed windows.

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The Hoxton, Paris

Paris, France • Sentier • SPLURGE

avg. $425 / night

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The Hoxton, Paris Design Editorial

At 30-32 Rue du Sentier, behind a carved limestone facade whose lion-head keystones and Rococo cartouche belong firmly to eighteenth-century Paris, the building that now houses The Hoxton Paris spent much of its modern life as offices — a fate common to the grandest hôtels particuliers in what was once the city's newspaper district. When Soho House's sister brand took it over and opened here in 2017, the design team worked with Humbert & Poyet to thread 172 rooms through a structure whose architectural bones demanded to be kept legible rather than erased. The rooms settle that tension with some confidence: herringbone parquet floors, panelled wainscoting painted grey, and corniced ceilings in tall proportions give each space its Haussmann-era structure, while dusty-blue feature walls, leather-strapped headboards, grid-check cotton bedding, and Lampe Gras-style articulated reading sconces introduce a register that is more Marais apartment than palace hotel. The public spaces follow a similar logic — the restaurant Rivié anchors itself around a central island of dark leather banquettes beneath a steel-framed rooflight, globe pendants suspended above an open kitchen, one dining room animated by a floor-to-ceiling living plant wall that pulls filtered green light into the interior courtyard. The effect overall is closer to a well-edited Parisian flat than to any conventional hotel lobby, which remains the Hoxton formula, deployed here with unusual elegance.

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Nolinski Paris

Paris, France • Palais-Royal • SPLURGE

avg. $553 / night

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Nolinski Paris Design Editorial

At 16 rue de Richelieu, steps from the Palais-Royal arcades and the Comédie-Française, a Haussmann-era building was transformed in 2017 into Nolinski Paris, the second property from Evok Hotels Collection. The commission went to interior designer Jean-Louis Deniot, whose reputation rests on a particular synthesis of French classical structure and mid-century warmth — and who delivers both here with considerable restraint. The entrance alone signals his intentions: a tall Art Deco-inflected iron and glass portal, its geometric latticework picked out in sage green and gold, sets a tone that is Paris-reverent without being historicist. The 45 rooms and suites carry Deniot's signature palette — dusty blue walls, channelled velvet headboards in taupe, herringbone-patterned rugs, and oxidised mirror panels cut into hexagonal forms above each bed — layered with burgundy and charcoal accents that give the spaces the atmosphere of a well-dressed private apartment rather than a conventional hotel room. The ground-floor restaurant Divellec moves in a different register entirely: honey-toned onyx tabletops, cane-backed chairs, and vast gilded mushroom pendant lights warm the room to something close to candlelight. Below street level, the spa pool is flanked by a large photographic landscape mural and geometric concrete wall reliefs — the hotel's one moment of genuine drama, where the building stops performing Parisian elegance and simply holds still.

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Hotel Bowmann Paris

Paris, France • L'Europe • SPLURGE

avg. $616 / night

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Hotel Bowmann Paris Design Editorial

A Haussmann-era building on the Boulevard Haussmann itself, its creamy limestone facade punctuated by elaborate wrought-iron balconies and a deep crimson entrance surround, sets the architectural terms that Hotel Bowmann then proceeds to complicate in the most pleasurable way. The 53-room property, which underwent a complete renovation to reach its current four-star form, sits within one of the 8th arrondissement's grandest residential streetscapes, the building's Second Empire detailing intact above a ground floor dressed in black awnings trimmed with gold lettering. Inside, the design navigates between Haussmannian ornament and mid-century modernism with considerable wit. Guest rooms preserve gilded rococo wall cartouches and plaster crown moldings while placing Eero Saarinen Tulip chairs and tables on herringbone oak parquet beneath them — the tension between those two registers is the whole game, and it works. Teal velvet curtains pool against floor-length glazed doors; tan leather headboards anchor the upper-floor suites where a terrace opens over the Paris roofline. The restaurant spaces embrace the same duality more theatrically: one room swathed in scarlet velvet drapes and dark grey boiserie with an ornate gilt cornice, another arranged around a dramatically veined black-and-white marble bar beneath a faceted gold pendant that echoes the geometric language of Tom Dixon. The overall atmosphere is closer to a well-edited Parisian apartment than to a conventional hotel interior.

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La Clef Champs-Élysées Paris

Paris, France • Golden Triangle • SPLURGE

avg. $619 / night

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La Clef Champs-Élysées Paris Design Editorial

Within the tightly drawn boundaries of Paris's Golden Triangle, where Haussmann's geometry achieves its most self-conscious elegance, a nineteenth-century residential building on Rue Clément Marot was transformed into La Clef Champs-Elysées Paris — a property that trades on the logic of the private apartment rather than the grammar of the grand hotel. The conversion leans into that residential inheritance: the building's classical stone facade, with its wrought-iron balconies and rhythmic window bays, remains largely as found, while the interiors have been configured around suites and studios rather than conventional rooms, giving guests the spatial ease of a borrowed Parisian pied-à-terre. Inside, the palette runs to soft ochres, dusty rose, and warm grey, with herringbone oak parquet underfoot and upholstered headboards in patterned fabric that carries the feeling of collected rather than specified. Joinery is painted in the muted French manner — panelled wardrobes, fitted cabinetry framing French windows that open onto the Haussmanian streetscape below. Kitchenette surfaces in pale stone and brushed brass fittings continue the register of considered domesticity. The property extends across around 80 suites and apartments across several floors, with public spaces kept deliberately intimate — a drawing-room lobby rather than a statement atrium — making the architecture of discretion its primary selling point in an arrondissement where the competition announces itself rather more loudly.

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Le Narcisse Blanc

Paris, France • Les Invalides • SPLURGE

avg. $629 / night

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Hilton Honors™ property

Le Narcisse Blanc Design Editorial

At number 19 Avenue de Tourville, just a short walk from the gilded dome of Les Invalides, a pair of late-nineteenth-century Haussmann buildings was transformed in 2016 into Le Narcisse Blanc, a 37-room hotel whose interiors navigate the particular challenge of making classical Parisian architecture feel genuinely sensual rather than merely formal. The facade visible from the street — dressed limestone, wrought-iron balconies, plane trees casting dappled light across the entrance — gives little away about the warmth within, designed by Pierre-Yves Rochon's studio working alongside the Doerr family who own the property. Inside, the palette runs almost entirely through ivory, champagne, and pale gold: boiserie panels traced in gilded beading, slim pendant lights in brushed brass, crushed-velvet armchairs upholstered in taupe and stone. Upper-floor suites frame the Eiffel Tower through mansard windows above original white marble chimneypieces, a juxtaposition that Paris manages without effort but few hotels actually earn. The restaurant extends into a glass-roofed winter garden, its stone arches and copper pendant lights grounding what might otherwise tip toward confectionery. Below the building, a spa corridor finished in pale travertine and Carrara marble lines a backlit pool with the focused calm of a private atelier — less grand hotel wellness suite, more considered refuge. The overall effect places the hotel closer to inhabited apartment than destination landmark, which, in this arrondissement, is precisely the right register.

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Hôtel San Régis

Paris, France • Golden Triangle • OVER THE TOP

avg. $722 / night

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Hôtel San Régis Design Editorial

At 12 rue Jean Goujon, a short walk from the Champs-Élysées and within the triangle d'or formed by the Avenue Montaigne, Avenue George V, and Rue François Ier, a Haussmann-era building has operated as Hotel San Regis since 1923 — quietly, deliberately, without the fanfare that surrounds its grander neighbours. The entrance says everything about the hotel's register: wrought-iron scrollwork and a glass canopy with gilded fittings, flanked by brass lanterns and clipped box topiaries, the whole composition carrying the feeling of a private hôtel particulier rather than a commercial address. Inside, the salon is lined in warm boiserie panelling, furnished with a considered accumulation of gilt candelabra, damask-upholstered armchairs, and glass-topped tables stacked with art books — the atmosphere of an inhabited apartment rather than a reception lobby. Across its 44 rooms and suites spread over six floors, the interiors work through a vocabulary of French decorative arts rather than a singular design statement. Bedrooms are dressed in bold feature wallpapers — a slate-blue Chinoiserie floral in one room, a monochrome palmier print in another — set against white boiserie panelling and deep blue fitted carpets, with mahogany case furniture and pleated silk lampshades grounding the scheme in period domesticity. The restaurant sits beneath a steel-framed glazed roof, its lantern flooding the room with diffused Parisian light, oil paintings in gilded frames hanging against celadon silk walls — the kind of room that has always existed somewhere in the 8th arrondissement, and always will.

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Grand Powers

Paris, France • Golden Triangle • OVER THE TOP

avg. $724 / night

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Grand Powers Design Editorial

At the corner of Rue François Ier and Rue du Boccador, within the tight geography of Paris's Golden Triangle, a classic Haussmann corner building — its limestone facade articulated with wrought-iron balconies, carved cartouches, and a mansard roofline of blue-grey slate — was transformed into Grand Powers, a 50-room hotel that navigates the particular challenge of making nineteenth-century bones feel genuinely alive rather than merely preserved. The interiors, shaped by designer Chloé Nègre, achieve this through a palette that presses the building's heritage into productive tension with something more spirited. Guest rooms are washed in pale powder blue, original marble chimneypieces left intact beneath gilded Baroque mirrors, while deep navy velvet headboards with brass-trimmed integrated lighting and burgundy velvet chaises longues introduce a chromatic confidence that keeps the period architecture from tipping into pastiche. Herringbone oak floors run throughout, and botanical-print curtains filter the iron-railed balcony light with an almost residential ease. Downstairs, the bar introduces a different register entirely — brass fretwork screens, antiqued mirror panels, Calacatta marble counter tops, and floral-upholstered fringed armchairs arranged around gilded café tables on chevron parquet — while the restaurant's coffered white ceiling and diamond-patterned stone floor anchor the ground floor in something closer to the building's original Beaux-Arts gravity. The effect moves comfortably between grand Parisian apartment and knowing contemporary hotel.

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Hôtel d'Aubusson

Paris, France • Monnaie • OVER THE TOP

avg. $846 / night

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Hôtel d'Aubusson Design Editorial

At 33 rue Dauphine, where the Left Bank's literary geography runs deepest — Café de Flore a short walk east, the Seine barely a minute north — a seventeenth-century hôtel particulier that once served as a gathering place for Parisian intelligentsia was converted into Hotel d'Aubusson in 1999. The building's most telling feature survives intact: a monumental timber-beamed ceiling spanning the main salon, its oak trusses original to the 1600s construction, which gives the ground floor the atmosphere of a private house whose owners simply never left. The interiors draw their palette from the Aubusson tapestry tradition that names the property — warm ochres, faded blues, and silvery greys woven through fabric choices and wallcoverings that carry a deliberate historicist weight without tipping into pastiche. The 49 rooms deploy two distinct moods: some finished in mustard and taupe with graphic cubic-patterned armchairs and chinoiserie-influenced botanical wallpaper, others in duck-egg blue with boldly patterned upholstery and lacquered black furniture carrying an Art Deco inflection. The Café Laurent piano bar, named in honour of the jazz sessions held here during the postwar Saint-Germain years, is furnished with buttoned velvet tub chairs arranged around a grand piano — the room keeps its cultural memory legible rather than merely decorative. Beneath the building, a long travertine-edged indoor pool framed by timber-slatted ceilings and arched alcoves extends the property's quiet sense of depth.

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Saint James Paris

Paris, France • Chaillot • OVER THE TOP

avg. $895 / night

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Saint James Paris Design Editorial

What was once a private members' club for Franco-American veterans, housed in an 1892 neoclassical mansion on the edge of the Bois de Boulogne, gives Saint James Paris its particular character among the city's palace hotels — something more like a grand private residence than a hospitality operation. The limestone façade, with its Mansard roof, dormered attic storey, sculpted keystones, and gravel forecourt anchored by a tiered fountain, presents the massing of a Second Empire hôtel particulier rather than anything conceived for the hospitality industry. When Bamford acquired the property and handed the interior conversion to Dorothée Meilichzon, the brief was to honour that idiosyncratic history while threading through it a decorative sensibility at once more layered and more personal. Meilichzon's response is legible in every room: Gracie-style botanical wallcoverings in deep lacquered grounds frame canopied four-poster beds dressed in silk and stripe, while geometric sheer curtains filter light across herringbone parquet floors strewn with kilim-adjacent textiles. The bar, housed in the original double-height library, preserves its coffered octagonal ceiling, floor-to-ceiling bookshelves with gallery rails, and olive-green plasterwork — warm tobacco leather seating and brass table lamps completing an atmosphere closer to a London gentleman's club than a hotel lounge. Below, the spa pool is lined in veined calacatta marble, a large white-relief artwork spanning its far wall in a quietly contemporary counterpoint to the grandeur above.

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Hôtel Splendide Royal Paris

Paris, France • Madeleine • OVER THE TOP

avg. $1,025 / night

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Hôtel Splendide Royal Paris Design Editorial

At number 15 on the Rue du Faubourg Saint-Honoré, a five-storey Haussmann-era building presents one of the neighborhood's more composed limestone facades — six bays of tall French windows, each wrapped in ornate wrought-iron balconies whose scrollwork catches the amber glow of evening light. Hotel Splendide Royal Paris, which arrived in this address as an extension of the Lugano-based Splendide Royal brand, draws on that Swiss heritage to position itself as something quieter and more considered than its address — one of Paris's most charged retail corridors, flanked by the couture houses and embassy residences that define the 8th arrondissement — might lead you to expect. The interiors work firmly within the French classical tradition: Louis XVI-style beds with quilted gilt headboards, damask-patterned wallcovering in warm taupe, and mahogany side tables carrying the kind of brass hardware that feels inherited rather than sourced. Oil paintings in carved oval frames hang above the beds, their equestrian and Parisian street subjects reinforcing a sense of the city's 19th-century self-image. The restaurant deploys bleached oak panelling, tufted caramel banquettes with zebra-print accent chairs, and gold-armed chandelier sconces reflected in panels of mirror — a Directoire vocabulary softened toward contemporary comfort. At the top floor, mansard suites with steeply pitched Velux-lit ceilings give the property its most atmospheric rooms, Paris rooftops framed like a Caillebotte detail through the slanted glazing.

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J.K. Place Paris

Paris, France • Saint-Germain-des-Prés • OVER THE TOP

avg. $1,222 / night

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LHW Leaders Club property

J.K. Place Paris Design Editorial

Bringing the Florentine sensibility of a J.K. Place property to the most contested real estate in Paris — a Haussmann-era building on the Rue de Sèvres in Saint-Germain-des-Prés — was always going to demand a precise hand. Michele Bönan, the Florentine architect and designer who shaped the original J.K. Place Firenze into one of Europe's most admired small hotels, applied the same logic here: that a hotel should feel like a private residence assembled over time rather than designed in one sitting. The result at J.K. Place Paris, which holds 29 rooms across five floors, is a dialogue between Haussmann's limestone bones — ironwork balconies, carved stone cartouches, the deep window rhythm visible across the facade — and a Parisian interior life that Bönan constructs from dark-stained oak floors, exposed timber ceiling beams, and a recurring geometric rug in monochrome fretwork that anchors both the standard rooms and the suites. The palette moves between aubergine velvet and warm white throughout the guest rooms, where walnut four-poster beds hung with ivory silk sit against fully panelled walls and brass-framed side tables. The conservatory restaurant, glazed at the roof and floored in black-and-white marble diamonds, draws on the Parisian jardin d'hiver tradition, striped canvas awnings softening the light above green velvet banquettes and lacquered chinoiserie screens. At the bar, a veined marble counter set into dark herringbone slate floors and flanked by ribbed plaster ceilings keeps the atmosphere closer to a private members' club than a hotel lobby.

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Maison Villeroy

Paris, France • Golden Triangle • OVER THE TOP

avg. $1,499 / night

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Maison Villeroy Design Editorial

At 33 Avenue Montaigne, a few doors from the flagship ateliers that give Paris's Golden Triangle its particular gravity, a Belle Époque hôtel particulier with rusticated limestone pilasters and an arched fan-light canopy in wrought iron was converted into Maison Villeroy, a property of just 28 rooms spread across five floors. The address alone carries considerable cultural weight, and the design brief — entrusted to interior architect Tristan Auer — was to hold that weight honestly rather than flatten it into generic luxury. Auer's response turns on productive contrast. In the principal guest rooms, elaborately coffered plasterwork ceilings, each panel a minor monument of Second Empire craftsmanship, are set against headboards clad in blackened lacquered panels and dark cabinetry with brass detailing — the historical envelope left intact while the furniture below operates in a quieter, more contemporary register. The restaurant preserves its original boiserie, the walnut panelling carved into deep recessed frames around a veined marble fireplace, while a large-diameter ring pendant light introduces a deliberately modern counterpoint overhead. The bar plays the most exuberant note: gilded Louis XVI cornices and ormolu-framed mirrors face a floor-to-ceiling backlit spirits display in brushed metal and warm oak, the two sensibilities not so much reconciled as placed in deliberate conversation. Herringbone parquet runs throughout, grounding the whole sequence in something the building always knew.

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The Peninsula Paris

Paris, France • Chaillot • OVER THE TOP

avg. $1,680 / night

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The Peninsula Paris Design Editorial

Few Haussmann-era buildings in Paris carry quite the pedigree of the structure at 19 avenue Kléber, a monument historique completed in 1908 that served as a military headquarters during the First World War and later as the site where the Korean War armistice negotiations were conducted. When The Peninsula Paris opened here in 2014 after a four-year, €800 million restoration led by architect Richard Martinet, the challenge was to bring a building of genuine historical consequence into the present without flattening what made it significant. The curving limestone facade, with its mansard roofline and rhythmic parade of carved window surrounds, survived intact — illuminated in the images here against a Paris dusk with the confidence of a building that knows its own value. Inside, the tension between periods is handled with intelligence rather than compromise. The bar room retains its extraordinary original boiserie — walnut panelling with gilded acanthus relief work climbing to the cornice, crowned by a cascading crystal chandelier that bridges Belle Époque and Art Deco registers. Guestrooms take a different direction: dark-stained wood frames enclose sculpted leather headboards with geometric sunburst reliefs, the palette running to warm cream and grey with coved lighting that keeps the atmosphere calm and contemporary. The rooftop restaurant, enclosed in an angled glazed structure, frames the Eiffel Tower across the seventh-arrondissement roofscape — a view that places the hotel firmly in the geography of the city it spent a century quietly defining.

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Le Meurice

Paris, France • Jardin des Tuileries • OVER THE TOP

avg. $1,849 / night

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Le Meurice Design Editorial

Facing the Jardin des Tuileries from its rue de Rivoli address, the building that became Le Meurice has served as Paris's most geographically privileged hotel since 1835, its Haussmann-era limestone facade — five floors of evenly spaced shuttered windows beneath a zinc mansard punctuated by pedimented dormers — presenting an unbroken argument for classical restraint. The property underwent a major restoration completed in 2007 under the direction of interior designer Philippe Starck, who was charged with refreshing 160 rooms and suites while preserving the ornate Louis XVI architecture that defines the public salons. The tension Starck introduced — contemporary white Kartell chairs set against grey-veined marble chimney surrounds and gilt-framed Rococo canvases in the restaurant Le Meurice — remains among the more considered acts of anachronism in Parisian palace hotel design. The bedroom photography reveals two distinct registers. The grand suites retain their original plasterwork ceiling coffers, Louis XVI fauteuils upholstered in silver damask, chevron parquet, and ormolu wall sconces, the atmosphere closer to a private Faubourg Saint-Germain apartment than to hotel accommodation. The upper-floor rooms added later carry a more contemporary hand: gold-inlaid upholstered headboards, grey oak panelling, Art Nouveau-influenced ironwork glazing, and custom feather-motif rugs reading as a quiet homage to Salvador Dalí, who famously kept a suite here for decades. The dining room ceiling fresco with its cursive verse inscription completes the effect — grandeur handled with enough wit to remain genuinely alive.

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Hôtel Plaza Athénée

Paris, France • Golden Triangle • OVER THE TOP

avg. $1,907 / night

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Hôtel Plaza Athénée Design Editorial

Few hotels anywhere have made a single colour do as much work as the crimson awnings, geranium window boxes, and scarlet-trimmed bed throws that define the street presence and interior signature of Hotel Plaza Athénée. Situated on Avenue Montaigne since 1911, the property was built by architect Jules Lefebvre in the Haussmann tradition — cream limestone, wrought-iron balustrades, arched ground-floor arcades — and its facade has remained essentially unchanged, a fixed point in Paris's most fashion-saturated quarter. The 188 rooms and suites were refreshed under the direction of Marie-José Pommereau, whose approach kept the language of Second Empire domesticity intact: deep-coffered boiserie, crystal chandeliers, Louis XVI fauteuils upholstered in damask, gilt console tables set against pale grey boiserie panels. The inner courtyard, entirely consumed by Virginia creeper climbing five stories of dressed stone, functions as an open-air dining room in warmer months, its limestone paving and cast-iron garden chairs framed by olive trees and clipped topiary. The tension the hotel navigates with particular skill is between the earnestly classical and the decidedly contemporary. In the bar — known as Bar Classique — Patrick Jouin and Sanjit Manku of Jouin Manku have installed a sculpted, back-lit resin counter whose fluid, almost molten form sits deliberately against the dark boiserie panelling and Gothic arched windows surrounding it, a cobalt ceiling installation amplifying the collision. The guestroom palette stays committed to champagne, ivory, and deep crimson throughout, the patterned Savonnerie-style carpets and draped silk curtains maintaining a register closer to a well-appointed private apartment than a hotel room.

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Le Bristol Paris, an Oetker Collection Hotel - Image 1

Le Bristol Paris, an Oetker Collection Hotel - Image 2

Le Bristol Paris, an Oetker Collection Hotel - Image 3

Le Bristol Paris, an Oetker Collection Hotel

Paris, France • Madeleine • OVER THE TOP

avg. $1,940 / night

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Le Bristol Paris, an Oetker Collection Hotel Design Editorial

Since 1925, the Haussmann-era building at 112 Rue du Faubourg Saint-Honoré has anchored one of Paris's most densely ambassadorial streets — a block where couture houses, foreign missions, and the Élysée Palace form an unlikely neighbourhood. Le Bristol Paris, owned by the Oetker Collection, has always understood its address as both privilege and obligation, and the building carries itself accordingly: the arched entrance canopy trimmed in navy and gilt rope detail, twin lanterns flanking gilded revolving doors, doormen saluting with the precision of a choreographed pas de deux. Inside, the 188 rooms and suites move between two distinct registers. The grander suites favour ivory boiserie panels, crystal chandeliers, cane-backed iron bed frames, and Louis XVI–style writing desks in mahogany — French classicism held to an exacting standard, with floral toile curtains and paisley-printed bench throws adding a domestic warmth that keeps the formality from hardening. The Bar du Bristol strikes a completely different note: dark lacquered panelling, a gilded ceiling, teal and crimson velvet club chairs arranged around a nocturnal landscape painting that dominates the rear wall, the atmosphere closer to a private Parisian cabinet than a hotel bar. Beyond the interiors, a walled garden — clipped box parterres, red lacquered planters, iron bistro chairs beneath white market umbrellas — provides the kind of green relief that central Paris almost never allows.

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Hôtel De Crillon, A Rosewood Hotel - Image 1

Hôtel De Crillon, A Rosewood Hotel - Image 2

Hôtel De Crillon, A Rosewood Hotel - Image 3

Hôtel De Crillon, A Rosewood Hotel

Paris, France • Place de la Concorde • OVER THE TOP

avg. $2,113 / night

Includes $111 / night in cash back

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Hôtel De Crillon, A Rosewood Hotel Design Editorial

Designed by Ange-Jacques Gabriel in 1758 as one of a matched pair of neoclassical palaces framing the north side of Place de la Concorde, the building that became the Hôtel de Crillon has always carried a weight that most hotels can only gesture toward — it was here, in 1778, that the treaty recognising American independence was signed. The Rosewood property reopened in 2017 after a four-year, €200 million restoration led by a constellation of designers: Aline Asmar d'Amman oversaw the architecture and transformation of the historic spaces, while Karl Lagerfeld — in one of his final commissions — designed two of the grandest suites. The 124 rooms and suites are distributed across the palace's principal floors, each maintaining the soaring proportions Gabriel's facade promises from across the square. The interiors navigate the distance between preservation and contemporary habitation with considerable skill. In the Salon de la Paix bar, visible here, sienna and white marble pilasters, allegorical ceiling paintings, and two tiers of Baccarat crystal chandeliers coexist with custom curved lounge chairs in woven fabric and a lacquered bronze bar counter — eighteenth-century grandeur without museum stillness. The guest rooms divide between two registers: some follow a silvery Louis XVI vocabulary of draped coronet beds, damask bench ends, and gilt-chain pendants with blush shades, while others take a more pared register of houndstooth headboards, lacquered writing desks, and graphic gold-banded panelling. The brasserie, with its silver-leaf coffered ceiling and black-and-white marble floor, nods firmly toward the Parisian café tradition.

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Cheval Blanc Paris

Paris, France • Louvre • OVER THE TOP

avg. $2,329 / night

Includes $123 / night in cash back

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Cheval Blanc Paris Design Editorial

The monogrammed limestone arch visible on the facade tells the whole story before you step inside: this is the former La Samaritaine department store, the Art Nouveau and Art Deco retail cathedral that Henri Sauvage and Frantz Jourdain built on the Seine's right bank between 1903 and 1928, closed for nearly two decades before LVMH — whose interlocked initials are carved into that same stonework — transformed it into the flagship of its Cheval Blanc hotel brand. The renovation, completed in 2021, was led by architects Sanaa, who inserted a rippling glass facade along the Rue de Rivoli frontage while preserving the Sauvage-era masonry elsewhere. Peter Marino designed the 72-room interior, bringing his characteristic fluency in contemporary art and haute couture craft to a building that already carried enormous symbolic weight. Marino's palette throughout is warm without sentiment — cream plaster, caramel leather at the writing desks, textured wool upholstery in sand and ochre, the occasional sculptural ceramic lamp in chalky white. The restaurant, photographed here with saffron and coral armchairs and boldly patterned roman blinds, swings the mood into something more vibrant, Seine-facing windows framing the Île de la Cité. The spa pool is perhaps the most theatrical space in the building: an elongated lap pool tiled in undulating turquoise mosaic that throws rippled light across the ceiling in waves, floor-to-ceiling glass opening onto rooftop Paris.

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La Réserve Paris Hotel and Spa - Image 1

La Réserve Paris Hotel and Spa - Image 2

La Réserve Paris Hotel and Spa - Image 3

La Réserve Paris Hotel and Spa

Paris, France • Madeleine • OVER THE TOP

avg. $2,329 / night

Includes $123 / night in cash back

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LHW Leaders Club property

La Réserve Paris Hotel and Spa Design Editorial

Few Parisian hotels can claim a building as historically loaded as the one that houses La Réserve Paris — a grand Haussmann-era mansion on rue Jean Goujon that once served as the private residence of Charles de Morny, half-brother to Napoleon III and arguably the most powerful socialite of the Second Empire. Jacques Garcia, who has made a career of reanimating French aristocratic interiors, took on the conversion in 2015, working across just 40 rooms and suites spread over five floors — a deliberately intimate scale that sets the property apart from the palace hotels massed along the nearby Champs-Élysées. Garcia's signature chromatic confidence is everywhere visible: deep crimson damask wallcovering and tufted velvet fauteuils in burgundy anchor the more theatrical guest rooms, while a library bar lined in mahogany and fitted with Louis XVI gilt-framed bergères upholstered in emerald velvet carries the atmosphere of a Directoire-period bibliothèque privée. Plasterwork ceilings in geometric relief, parquet floors in herringbone oak, and antique Persian rugs layered over fitted carpet give the public spaces the density of a private collection rather than a decorator's scheme. The garden terrace, shielded by a clipped hornbeam hedge and dressed in white linens beneath generous parasols, offers the rare Paris luxury of genuine outdoor quiet within the 8th arrondissement.

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Four Seasons George V

Paris, France • Golden Triangle • OVER THE TOP

avg. $2,520 / night

Includes $133 / night in cash back

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Four Seasons George V Design Editorial

Completed in 1928 to designs by architect Joachim Richard, the limestone Haussmann-era building on Avenue George V that would become the Four Seasons George V was conceived from the outset as a monument to the French art of hospitality — grand enough in scale, at seven floors and 244 rooms and suites, to hold its own in the 8th arrondissement's competitive roster of palace hotels. Four Seasons assumed management in 1999 following a two-year, $125 million restoration that brought the property back to something approaching its original ambition, with Pierre-Yves Rochon directing the interiors toward a vision of refined classicism rather than nostalgic pastiche. The images confirm how successfully that balance holds. In Le Cinq, the principal dining room, gilded coffered ceilings and Corinthian pilasters frame a room animated by potted palms and Louis XVI fauteuils upholstered in tobacco velvet — the atmosphere closer to a private Parisian hôtel particulier than a hotel restaurant. Guest rooms work a palette of champagne, sage, and warm ivory, with Louis XVI-style benches at the foot of beds dressed in damask, bronze-tinted mirrored paneling multiplying the light, and French windows opening onto tree-level views of the 8th. The interior courtyard, paved in a geometric diamond pattern of rose and cream marble and centered on a towering orchid installation, pulls the whole composition together — a contained garden that manages to feel both theatrical and completely, convincingly Parisian.

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Ritz Paris

Paris, France • Place Vendôme • OVER THE TOP

avg. $2,532 / night

Includes $133 / night in cash back

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LHW Leaders Club property

Ritz Paris Design Editorial

At 15 Place Vendôme, where Jules Hardouin-Mansart's seventeenth-century limestone facades enclose one of Paris's most formally composed squares, César Ritz opened his hotel in 1898 inside a pair of adjoining hôtels particuliers — and in doing so established the template against which every grand European hotel has since been measured. Following a four-year closure and a renovation overseen by interior designer Thierry Despont, the Ritz Paris reopened in 2016 with its 142 rooms and suites restored to a condition that honours the layered history of the building without freezing it. The exterior presents the same creamy Lutetian limestone and wrought-iron balconies visible in Hardouin-Mansart's original elevation; inside, gilded boiserie panels, Louis XVI medallion chairs upholstered in dusty rose velvet, and Baccarat crystal chandeliers continue the period vocabulary across the dining room's arched mirrors and silk-draped windows. Guest rooms split between two distinct registers: some suites, visible in the images, deploy pale celadon silks, carved white-painted panelling, and Savonnerie-style carpets in the full Ancien Régime manner; others — notably the Coco Chanel suite — shift toward a crisper ivory and champagne palette, with lacquered screens, shagreen-fronted commodes, and sunburst mirrors that bring a measured Art Deco restraint to the Rococo bones of the building. The Bar Hemingway, lined in warm oak panelling with tufted leather banquettes and taxidermy mounted above brass library lamps, pulls sharply against all of that gilded paleness — a deliberate counter-note, and entirely its own room.

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Amastan Paris

Paris, France • Madeleine • SPLURGE

avg. $318 / night

Includes $17 / night in cash back

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Amastan Paris Design Editorial

Tucked into a quiet street in the 8th arrondissement between Place de la Madeleine and the grands boulevards, a Haussmann-era building signals its transformation with a cascade of living greenery spilling from a planted canopy above the entrance — one of those small gestures that manages to feel genuinely Parisian rather than borrowed from a global boutique-hotel playbook. Amastan Paris, which opened in 2017 across 24 rooms and four floors, was conceived by designer Laura Gonzalez as an inhabited apartment rather than a hotel, the kind of thoughtful private residence a well-traveled Parisian might actually live in. The interiors carry that ambition without straining. Rooms are dressed in a palette of navy, warm grey, and natural linen — upholstered platform beds in flannel grey, brass pendant lights hung from sculpted arms, open shelving above headboards styled with books and framed photographs, and cane-backed chairs that place the rooms in a lineage running from Thonet through mid-century Parisian domesticity. The bar and restaurant at the rear resolve around a steel-framed glass roof that floods the space with courtyard light; herringbone-patterned navy tiles cover the floor while a long marble-topped communal table runs beneath cylindrical brass-and-black pendant fixtures. The inner courtyard beyond — planted with birch trees and trailing ferns, furnished with perforated metal bistro chairs — functions as the hotel's social heart, open to the street's rhythms while remaining remarkably sheltered from them.

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Hôtel Recamier

Paris, France • Odéon • SPLURGE

avg. $421 / night

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Hôtel Recamier Design Editorial

Tucked into Place Saint-Sulpice, where the 6th arrondissement settles into its quietest and most literary register, Hotel Recamier takes its name from Juliette Récamier, the celebrated Directoire-era salon hostess whose nearby apartment made this corner of the Left Bank a centre of Parisian intellectual life. The Haussmann-era building's bones are visible in the entrance hall — vaulted plaster ceilings, limestone pilasters, a black-and-white diamond-tiled floor — all preserved with the kind of careful restraint that keeps a small Paris hotel feeling like a private address rather than a heritage exercise. The interiors, conceived by decorator Jean-Louis Deniot's studio following a comprehensive renovation, give each of the 24 rooms a distinct character while holding to a shared palette of warm taupes, ochres, and deep tobacco. Fabric canopies suspended from the ceiling above the beds reference traditional French lit à baldaquin without the weight of four-poster timber, and each room pairs at least one piece of contemporary photography or African sculpture with mid-century desk furniture and sunburst mirrors framed in lacquered wood or feathered resin. A trellis-screened writing alcove visible in the suite images brings a garden-room quality to interiors that would otherwise feel purely urban. The overall effect sits comfortably between the scholarly and the sensual — which, given Recamier's own legacy, seems entirely appropriate.

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Hôtel Dame des Arts

Paris, France • Latin Quarter • SPLURGE

avg. $455 / night

Includes $24 / night in cash back

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I Prefer property

Hôtel Dame des Arts Design Editorial

Few addresses in Paris carry a stranger lineage than this one: a 1950s building in the 6th arrondissement that passed through life as a dance and theatre school before a stint as a Holiday Inn, and has now become Hôtel Dame des Arts, one of the city's most considered independent openings of 2023. The transformation belongs to Raphaël Navot — named Maison&Objet Designer of the Year the same year the hotel launched — and his approach is immediately legible in every surface: fluted oak panels warm the guest rooms from floor to ceiling, bamboo and brushed stone appear throughout the public spaces, and the steel-gridded facade, glowing amber at night, carries the feeling of something between a Parisian atelier and a Modernist archive. Inside, Navot's bespoke pieces dominate. The sculptural side tables on their tapered cast legs sit beside channelled linen headboards, a display shelf of curated objects above each bed creating the effect of a personal library rather than a hotel room. The restaurant extends the same language — deep midnight-blue banquettes, a textured ceiling lit from within, a warmth that pulls the room inward. Then the rooftop opens everything up: a deck terrace across Paris's zinc-and-lead horizon, the Eiffel Tower and the dome of the Invalides framed between umbrella canopies, the whole city laid at eye level. The 109 rooms feel like the quiet below a performance that happens up there.

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Hôtel Montalembert

Paris, France • Saint-Germain-des-Prés • SPLURGE

avg. $634 / night

Includes $33 / night in cash back

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Hôtel Montalembert Design Editorial

Christian Liaigre's 1989 renovation of a dignified Haussmann-era building on Rue de Montalembert established something that Paris was then still deciding it wanted: a Left Bank hotel for the design-literate rather than the merely wealthy. Hotel Montalembert has been refreshed several times since, most recently under the creative direction of Marie Deroudilhe, whose interiors balance the building's Belle Époque bones against a confidently contemporary sensibility. The limestone facade, with its wrought-iron balconies and arched ground-floor openings visible from the street, holds its place in the 7th arrondissement with the assurance of a building that has never needed to announce itself. Inside, the approach shifts between registers depending on where you stand. The lobby deploys deep navy walls against gilt-trimmed doorframes, a sage velvet sofa, and a lacquered ochre shelving unit that carries the irreverence of a private apartment rather than a hotel reception. Guestrooms divide into two distinct moods: some finished with dark-stained wood headboards inset with brushed brass sconces, others lighter in spirit, with geometric red-and-white rugs and arched mansard windows framing rooftop Paris. The restaurant, lined in walnut panelling and warmed by terracotta velvet armchairs arranged along deep banquettes, draws natural light through the building's original arched glazing. Across 56 rooms and suites spread over six floors, the cumulative effect is a hotel that wears its sophistication quietly.

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Fauchon L’Hôtel

Paris, France • Madeleine • SPLURGE

avg. $648 / night

Includes $34 / night in cash back

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LHW Leaders Club property

Fauchon L’Hôtel Design Editorial

The marriage of haute pâtisserie and haute hôtellerie has been attempted before, but rarely with the conviction that Fauchon L'Hôtel brings to the Place de la Madeleine — the address where Fauchon's legendary épicerie fine has presided over Parisian luxury food culture since 1886. Interior designer Tristan Auer took on the task of translating that confectionery legacy into a 54-room property without reducing it to a theme park, opening in 2018 within a Haussmann-era building steps from the neoclassical church that gives the square its name. Auer's solution was to work entirely in pink — not the blush of self-conscious femininity but a deep, saturated rose that reads closer to old lacquer than to candy, layered across velvet headboards, lacquered millwork, and upholstered wall panels. The effect is closer to a couture salon than a confection box: disciplined, almost architectural in its application of colour. Bespoke furniture in dark bronze and smoked brass grounds the palette, while herringbone parquet and inlaid marble bathrooms confirm the craftsmanship register. Black-and-white photography and graphic stripe details introduce moments of graphic tension that keep the rooms from softening into saccharine. Throughout, the hotel carries the feeling of something deliberately excessive — a place that has made a serious argument out of pleasure.

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Le Roch Hotel & Spa

Paris, France • Place Vendôme • SPLURGE

avg. $649 / night

Includes $34 / night in cash back

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Marriott Bonvoy® property

Le Roch Hotel & Spa Design Editorial

Tucked into a narrow Haussmann-era street in the 1st arrondissement, just a short walk from the Place Vendôme's jewellers and the Tuileries gardens, Le Roch Hotel & Spa opened in 2017 as a 37-room property designed by French interior architect Anastasia Ioulkina. The Lutetian limestone facade — black awnings, sculptural iron window boxes trailing greenery — maintains the quiet civic composure of the surrounding streetscape while the teal front door signals a more particular sensibility within. Ioulkina's interiors move between a restrained Parisian palette and something more emphatically graphic: charcoal feature walls set against white plaster ceilings, beds upholstered in deep forest-green velvet, brass-framed nightstands in dark walnut, and custom geometric rugs that pull terracotta and teal into loose dialogue with one another. The bedroom walls carry scattered oval timber discs in place of conventional headboard panelling — a detail that gives the rooms their strongest identity. Downstairs, the glazed restaurant opens onto a planted courtyard through steel-framed windows, low swivel armchairs in teal, cobalt, and terracotta gathered around green marble-topped tables on patterned encaustic tile. Below ground, the spa pool is lined with dark slate and bracketed by exposed timber ceiling beams, tall iron lantern stands holding candles along the water's edge — a more meditative register than the floors above, and the clearest sign that Ioulkina thought carefully about what each level of the building should feel like.

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Relais Christine

Paris, France • Saint-Germain-des-Prés • SPLURGE

avg. $658 / night

Includes $35 / night in cash back

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Relais Christine Design Editorial

Hidden behind a porte-cochère on the Rue Christine, a sixteenth-century Augustinian convent forms the physical and spiritual core of Relais Christine — a 48-room hotel that has quietly represented the best version of rive gauche intimacy since the 1970s. The cour intérieure visible in the images tells you everything: ivy-draped limestone, geranium-filled window boxes cascading from wrought-iron balconies, a doorman framed in the entrance arch like a figure from a Doisneau photograph. Nothing here announces itself, which is precisely the point. The interiors, refreshed in recent years under the direction of the Pourcel aesthetic philosophy that now shapes the property, move between registers with considerable confidence. The library bar deploys lacquered navy shelving, a marble fireplace, and a central ormolu-legged table with a malachite top to conjure a cabinet particulier atmosphere that feels genuinely inhabited rather than assembled. Guest rooms layer Directoire-striped wallpapers in forest green against herringbone parquet, oil portraits above beds dressed in quilted velvet throws, heavy draped curtains in geometric cut-velvet — the palette shifting from room to room between deep moss, ochre, and champagne. The dining room's oak boiserie panelling, coffered ceiling, and toile-painted screen behind steel-framed glazing suggest a Parisian townhouse rather than any conventional hotel breakfast room. Across every space, antique brass lamps with pleated shades keep the light warm and low, reinforcing the sense of a private house that happens to have a concierge.

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Le Pavillon de la Reine

Paris, France • Place des Vosges • OVER THE TOP

avg. $749 / night

Includes $39 / night in cash back

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Le Pavillon de la Reine Design Editorial

Hidden behind a vine-smothered façade on the north side of Place des Vosges — Henry IV's great royal square, completed in 1612 and still the most formally beautiful in Paris — Le Pavillon de la Reine takes its name from the pavilion historically associated with Anne of Austria, whose private apartments once anchored this corner of the Marais. The 17th-century building was converted into a 56-room hotel and approached through a cobbled forecourt garden that effectively disappears the property from the square itself, a piece of urban concealment almost unmatched among Paris's luxury addresses. The interiors, last overhauled with considerable ambition, work a controlled tension between historical register and pattern-saturated contemporary energy. Rooms layer toile de Jouy wallpapers against exposed timber-beamed ceilings painted in deep terracotta, while other configurations push further into maximalism — baroque damask wrapping all four walls, striped headboards butting against boldly geometric Missoni-adjacent throws, black-and-white diamond-pattern carpets pushing back against the ornament above. The salon enfilades are dressed in crimson cut-velvet damask, hung with period portraits in gilded frames, and furnished with silver-velvet chaise longues alongside checkerboard club chairs that refuse easy categorisation. The restaurant's back wall — shelved floor to ceiling, backlit in amber, stacked with leather-bound volumes — carries the atmosphere of a private Parisian bibliothèque rather than a hotel dining room.

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Hôtel Lancaster

Paris, France • Saint-Philippe-du-Roule • OVER THE TOP

avg. $775 / night

Includes $41 / night in cash back

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Hôtel Lancaster Design Editorial

Marlene Dietrich lived here. So did Boris Karloff, Clark Gable, and Noel Coward — drawn to a discreet Haussmann townhouse on the Rue de Berri, just off the Champs-Élysées, that had been receiving artists and actors since 1930. Hotel Lancaster, carved from a late-nineteenth-century residential building whose limestone facade carries the full vocabulary of Second Empire ornament — rusticated base, carved consoles, wrought-iron balconies trailing ivy — has always positioned itself as the quieter alternative to the grand palace hotels of the 8th arrondissement, more private apartment than institution. The interiors sustain that feeling across 57 rooms and suites. Herringbone parquet floors, original plaster cornicing, and ceiling medallions set the architectural frame, while the decorative approach layers Louis XV bergères upholstered in teal velvet alongside gilded mirrors and oil paintings in heavy gilt frames — a mix that feels assembled over generations rather than specified in a single pass. Guest rooms shift between a warm ochre palette, with saffron velvet throws and gold-leaf chandeliers, and softer mauve schemes with crystal pendants and Rococo marquetry commodes. The bar, lit by an original leaded-glass skylight, draws the garden light inward through arched steel-framed doors, Murano glass chandelier overhead, Louis Quinze chairs arranged with enough informality to suggest a very well-furnished private salon.

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Hôtel Fouquet's Barrière

Paris, France • Golden Triangle • OVER THE TOP

avg. $1,321 / night

Includes $70 / night in cash back

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LHW Leaders Club property

Hôtel Fouquet's Barrière Design Editorial

At the corner of the Champs-Élysées and the Avenue George V, where Paris's most storied boulevard meets the heart of the Golden Triangle, a Haussmann-era limestone facade of considerable presence announces Hotel Fouquet's Barrière — a property that has had to reconcile the mythological weight of the Fouquet's brasserie next door with the demands of contemporary palace-hotel expectations. The building, developed by the Barrière group and designed by Édouard François, draws its authority from the familiar grammar of Second Empire Paris: mansard roofline, wrought-iron balconies, stone pilasters framing arched ground-floor openings — yet the interiors, conceived by Jacques Garcia, push toward something richer and more dramatically staged. Garcia's signature density is legible throughout: bedroom headboards sheathed in sculptural quilted gold leather rising in geometric panels, dark lacquered nightstands set against cream wool carpet and plasterwork cornices picked out in gilt. The L'Escadrille bar, clad in warm walnut panelling with a hammered-bronze bar front and rows of black-and-white celebrity photographs, carries the atmosphere of a private club rather than a hotel amenity. Below ground, the spa unfolds around white mosaic hydrotherapy pools punctuated by classical marble statuary — a collision of Roman bath and Parisian grandeur that feels entirely at home in Garcia's hands. Across its 81 rooms and suites spread across nine floors, the hotel navigates old-world ceremony with considerable conviction.

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Shangri-La Hotel, Paris

Paris, France • Chaillot • OVER THE TOP

avg. $1,608 / night

Includes $85 / night in cash back

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Shangri-La Hotel, Paris Design Editorial

Prince Roland Bonaparte built his private mansion on the Avenue d'Iéna in 1896, commissioning a Beaux-Arts hôtel particulier of such imperial ambition — carved limestone caryatids, wrought-iron gates, a street facade of near-theatrical symmetry — that converting it into the Shangri-La Hotel Paris a century later demanded exceptional restraint. The property underwent a three-year, €250 million renovation completed in 2010, with Pierre-Yves Rochon leading the interiors across 100 rooms and suites spread over six floors. Rochon's approach keeps close to the building's Napoleonic bloodline — Roland was the Emperor's grandnephew — threading that lineage through lacquered Empire-style furniture with gilt-bronze mounts, deep-pile Savonnerie-style carpets, and rooms that alternate between powder-blue damask and warm blush panelling depending on aspect and floor. The bar, visible in the images, deploys dark mahogany millwork, lion's-head brass hardware, and trailing greenery against gold-striped walls beneath a branched gilt chandelier — a room that feels more like a botanist's private library than a hotel cocktail lounge. The pool level is the most quietly radical space: limestone colonnades frame a mosaic-tiled basin whose trompe-l'oeil sky ceiling and full-height garden windows dissolve any sense of subterranean enclosure, the whole room carrying the atmosphere of a Roman bath transplanted to the 16th arrondissement.

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Park Hyatt Paris-Vendôme

Paris, France • Place Vendôme • OVER THE TOP

avg. $1,657 / night

Includes $87 / night in cash back

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World of Hyatt property

Park Hyatt Paris-Vendôme Design Editorial

At 5 rue de la Paix, where Haussmann's Paris reaches its most composed expression — the column of the Place Vendôme visible at the end of the street, couture houses pressing close on either side — the Park Hyatt Paris-Vendôme was carved from a pair of late nineteenth-century Haussmannian buildings and opened in 2002, with interiors conceived by Ed Tuttle, the American designer long based in Paris whose work for Amanresorts had already established a vocabulary of deep material richness and architectural calm. The 153-room property spans seven floors, the limestone facade presenting the measured rhythm of arched windows, wrought-iron balconies, and rusticated stonework that the images confirm remains essentially intact. Inside, Tuttle's hand is unmistakable: gold-leaf wall panels framing deep mahogany headboards in the guestrooms, the warm amber of the suede-like wall coverings creating an interior atmosphere closer to a Rothko canvas than a conventional hotel palette. Bronze figurative sculptures appear throughout — flanking the entrance doors, mounted on guestroom walls, standing sentinel in the restaurant — as a curatorial thread linking the spaces. The restaurant visible in the images shows a dramatic faceted bar surround in polished wood and mirror, while the fine dining room centres on a circular banquette beneath a coffered rotunda of illuminated alabaster columns and leaf-shaped pendant lights, a composition that feels more Roman bathhouse than Parisian palace, and is more considered for it.

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Mandarin Oriental, Paris

Paris, France • Place Vendôme • OVER THE TOP

avg. $1,673 / night

Includes $88 / night in cash back

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Mandarin Oriental, Paris Design Editorial

Rue Saint-Honoré at the edge of the Place Vendôme, with the dome of the Église Saint-Augustin visible in the evening haze and the Eiffel Tower glittering through upper-floor windows — few addresses in Paris concentrate so much symbolic weight into a single street frontage. The Mandarin Oriental Paris, which opened in 2011 in a purpose-built structure designed by Jean-Michel Wilmotte, earns its position on that axis by refusing the pastiche temptation: the façade is crisp Haussmann-adjacent limestone, correctly scaled and proportioned, without being a period reproduction. Sybille de Margerie handled the interiors across the hotel's 138 rooms and 39 suites, working in a palette of warm taupe, champagne, and deep fuchsia accents — the latter visible in the velvet desk chairs and embroidered cushions throughout the guest rooms, which carry oversized monochrome photographic art above the beds rather than gilded headboards. The bar is where de Margerie's instincts sharpen most decisively: a backlit honey onyx counter curves beneath a burnished bronze ceiling, lacquered brass rod screens filtering the space from the garden courtyard beyond, the whole room carrying the atmosphere of a Deco-era jazz club translated into contemporary material terms. Below street level, the spa pool is flanked by mauve-lacquered alcove daybeds and etched glass panels printed with botanical motifs, the water dark and still against white limestone surrounds — a deliberate contrast to the city's insistence, just above, on being seen.

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Mandarin Oriental Lutetia, Paris - Image 1

Mandarin Oriental Lutetia, Paris - Image 2

Mandarin Oriental Lutetia, Paris - Image 3

Mandarin Oriental Lutetia, Paris

Paris, France • Saint-Germain-des-Prés • OVER THE TOP

avg. $1,745 / night

Includes $92 / night in cash back

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Mandarin Oriental Lutetia, Paris Design Editorial

Commissioned by the Boucicaut family — founders of Le Bon Marché, the world's first department store — and completed in 1910 to designs by architects Louis-Charles Boileau and Henri Tauzin, the building at the corner of Boulevard Raspail and Rue de Sèvres has always been a statement about what the Left Bank expects of itself. After a four-year restoration completed in 2018, it reopened as the Mandarin Oriental Lutetia, carrying 184 rooms and suites across seven floors of flamboyant Art Nouveau stonework — the sculpted limestone facade, with its bowed balconies and domed corner pavilion, left exactly as Haussmann's Paris intended such buildings to age. The interiors, directed by Jean-Michel Wilmotte, resolve a genuine tension between the building's ornamental past and a contemporary Parisian restraint. Guest rooms employ vertical-ribbed oak panelling as headboard walls, herringbone parquet underfoot, and onyx ceiling medallions that glow amber at dusk — warm without sentimentality. The bar preserves its original vaulted ceiling with faded painted cartouches intact, a dark sculpted bronze counter positioned beneath the plasterwork as a deliberate counterpoint rather than a restoration exercise. Most arresting is the brasserie, where a vast stained-glass ceiling commissioned from artist Yan Pei-Ming floods the room in saturated colour, its figurative exuberance set against ivory carved walls — the building's century-old bones in direct conversation with the present.

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Hotel Le Royal Monceau - Raffles Paris - Image 1

Hotel Le Royal Monceau - Raffles Paris - Image 2

Hotel Le Royal Monceau - Raffles Paris - Image 3

Hotel Le Royal Monceau - Raffles Paris

Paris, France • Quartier du Faubourg-du-Roule • OVER THE TOP

avg. $2,329 / night

Includes $123 / night in cash back

Cash back is redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out

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Hotel Le Royal Monceau - Raffles Paris Design Editorial

Philippe Starck's 2010 transformation of a 1928 Beaux-Arts palace on Avenue Hoche gave Le Royal Monceau Raffles Paris one of the more quietly radical reinventions in the city's hotel landscape — a property where the limestone facade's classical restraint, visible here with its arched ground-floor windows and lacquered red porte-cochère canopy, conceals interiors pitched somewhere between art gallery and Parisian apartment. The 149-room property was conceived as a living cultural institution, with a dedicated art bookshop, cinema, and a gallery program that treats the corridors as exhibition space. The rooms carry Starck's characteristic tension between softness and wit — blush velvet tufted headboards rising to almost theatrical height against panelled grey-white walls, mirrored Venetian-style bedside tables catching the light, and custom Savonnerie-style rugs anchoring the palette. Elsewhere the register shifts: the garden restaurant unfolds beneath a pitched glazed orangerie roof, its black-and-white optical-illusion tiled floor set against teal and chartreuse upholstered dining chairs and gold Murano chandeliers in an exuberant collision of pattern and colour. The spa, designed in collaboration with Clarins, moves in the opposite direction entirely — an all-white pool room with lacquered ovoid seats and softly tapered steel columns that carries the atmosphere of a minimalist installation, cool and almost lunar beneath its diffused overhead light panels.

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Hôtel Square Louvois

Paris, France • Vivienne • OPTIMIZE

avg. $270 / night

Includes $14 / night in cash back

Cash back is redeemable via Virtual Visa, Venmo, or bank transfer starting 24-48 hours after check-out

Hôtel Square Louvois Design Editorial

Facing the tranquil Square Louvois in Paris's 2nd arrondissement, where the Bibliothèque Nationale de France once drew scholars and writers to this quiet corner of the Vivienne quarter, a Haussmann-era limestone façade — its arched entrance canopy framed by wrought-iron lanterns and punctuated by the geometric ironwork grilles characteristic of late nineteenth-century Parisian construction — gives Hotel Square Louvois its composed, understated street presence. The building's most arresting design secret lies below ground: a vaulted stone cellar with rough-cut ashlar walls, probably predating the Haussmann rebuilding by centuries, has been fitted with a small lap pool edged in brass-railed stone steps and lit from within the water, candles arranged along the coping in a scene that feels closer to a Romanesque undercroft than a hotel wellness facility. The interiors carry a precise mid-century Parisian sensibility — slate-blue walls paired with warm taupe grasscloth panels, oak plank flooring, and copper Lampe Gras-style articulated reading lamps pivoting above the bed. Scatter cushions in deep navy with copper-button detail, a houndstooth accent chair, and black lacquered furniture with gold edge trim maintain the palette with discipline. The restaurant downstairs deepens the atmosphere further: charcoal panelling with white plaster cornicing, a wall of gold-patterned mirrors framed in brass, cognac leather banquette seating, and marble-topped bistro tables on herringbone parquet floors establish a room with genuine warmth and urban confidence.